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Phil Woods: 1931-2015
by AAJ Staff
In memory of NEA Jazz Master, Phil Woods. This article was previously published in November 2002. All About Jazz: Looking back on the almost three decade history of your Quintet, one question springs immediately to mind. You've had the same rhythm section of Steve Gilmore on bass and Bill Goodwin on drums ever since ...
Losen Records: Jazz Around the World
by Jakob Baekgaard
Since the beginning, the Norwegian label Losen Records, which is run by the indefatigable Odd Gjelsnes, has not been satisfied with a replication of the so-called Nordic sound. Instead, Gjelsnes has literally spread himself around the world, with albums recorded in Australia, Sweden, South Africa, Norway and Spain. Gjelsnes is a true world citizen and the ...
Bob Belden Animation: Machine Language
by Vincenzo Roggero
Intorno all'anima, ai pensieri, ai sogni e ai sentimenti delle macchine sono stati versati fiumi d'inchiostro, così come più di un musicista ha cercato di fornire la personale interpretazione del problema. L'eclettico sassofonista, compositore, arrangiatore Bob Belden, prematuramente scomparso il maggio scorso per problemi cardiaci, ci lascia con Machine Language l'ultima testimonianza della sua arte, attraverso ...
Take Five with Wayne Eagles of trio \ DEF
by AAJ Staff
Meet Wayne Eagles: Wayne Eagles is Canadian guitarist/educator known for his unique guitar style, which incorporates diverse influences from textural soundscapes and free jazz to old school fusion and progressive rock. Wayne has played live and in the studio with a long list of local and internationally known musicians including Adam Nussbaum, Ken Rosser, ...
Miles Davis: Miles Davis at Newport 1955-1975: The Bootleg Series Vol. 4
by Maurizio Comandini
Il criterio utilizzato dai produttori della Sony Legacy, per questo quarto box della eccellente 'The Bootleg Series,' è piuttosto interessante e singolare: il legame che lega assieme varie performance di Miles Davis con i suoi vari gruppi, non è quello temporale come succede di solito, ma bensì quello spaziale, per di più preso in senso molto ...
Hey, George FrazierI’m 10 Years Old Over Here
by Brian Dunn
I went a little crazy when I discovered jazz as an 8-year-old kid. I already played trumpet in the school band, but none of that music swung. My ears begged for something with more energy and urgency. The family record collection was of little help. We owned precisely five albums, the jazziest of which was Herb ...
I 10 CD nel CD-Player di... Livio Minafra
by Vincenzo Roggero
01. Area -1978 Gli dei se ne vanno, gli arrabbiati restano! (Ascolto -1978). Mi affascina il jazz-prog-rock... boh, come definirli gli Area? Quel pazzo di Fariselli e quel genio di Stratos. Sono ancora avanti a tutt'oggi. 02. The Don Ellis Orchestra -Electric Bath (Columbia/Legacy -1967). Fuori dall'ordinario questo artista cangiantissimo non ...
Ada Rovatti: Disguise
by Dan McClenaghan
An initial spin of saxophonist Ada Rovatti's Disguise says she hasn't lost a step since 2009's The Green Factor (Piloo Records). There's still the judicious funk grooves, the tight arrangements, and catchy and distinctive melodies that make for an engaging and edifying listening experience. And she's still a wonderfully soulful saxophonist. These are quintet, ...
Spirits Rejoice! An Interview with Jazz and Religion Author Dr. Jason Bivins
by K. Shackelford
When contemplating the connection between jazz and religion, many short pieces have been written about it, yet no American scholar has released an exhaustive and comprehensive book on such an important topic. Dr. Jason Bivins, a well-respected religious studies and philosophy professor, has brilliantly tackled the task. His new book, Spirits Rejoice! (Oxford University Press, 2015) ...
Zappa and Jazz: Did it Really Smell Funny, Frank?
by Geoffrey Wills
The following is an excerpt from Chapter 2: Early Encounters with Jazz" of Zappa and Jazz: Did it Really Smell Funny, Frank? by Geoffrey Wills (Matador, 2015). When, at the age of fourteen, Zappa entered Mission Bay High School in San Diego in 1955, his first exposure to the elitist snobbery of a ...


