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D'Vonne Lewis: It's About the Love
by Paul Rauch
On the Seattle jazz scene, no musician is more visible than drummer D'Vonne Lewis. Whether he is touring and playing with his band Industrial Revelation, leading his flexible and innovative combo, D'Vonne Lewis Limited Edition, or playing as a sideman on multiple projects around town, Lewis brings to the bandstand a remarkable versatility, and musical identity ...
Wayne Shorter: Speak No Evil – 1964
by Marc Davis
It's hard to imagine a jazz musician who has had more success with more bands than Wayne Shorter. His tenor sax was an essential part of three landmark combos: Art Blakey and the Jazz Messengers (1959-1964), Miles Davis' classic quintet (1964-70) and Weather Report (1971-86)--27 consecutive years of uninterrupted magnificence. In other words, if ...
Hackney Colliery Band: Sharpener
by Nick Davies
East London's Hackney Colliery Band continue to reinvent the brass band sound for the 21st century with Sharpener. Comprised of trumpets, trombones, saxophones, sousaphone, marching percussion and electronics, the band are as inspired by contemporary rock and electronica as New Orleans marching bands and traditional British brass bands, to which their name pays homage. Their shows ...
Top Ten Musicians Who Embody Cool
by Alan Bryson
America has produced some very cool things: jazz, rock, blues, country, hot rods, Hammond organs, and electric guitars. Another one of the coolest things is the language itself, brewed in the melting pot that is America. Like jazz, blues, and rock, American English itself can't be imagined without the influence of African Americans. “Hep," “hip," “funky," ...
The Westerlies: New Music For Brass In Hi Res
by Mark Werlin
The Westerlies, a self-titled album performed by an “accidental brass quartet" of two trumpet players and two trombonists, is a stunning accomplishment: a reference-quality recording of trans-genre new instrumental music that managed to beat the odds and reach a wide audience. The album's unexpected success points to the importance of curation in an overcrowded online music ...
Charlie Haden Liberation Music Orchestra: Time / Life
by Giuseppe Segala
Due anni dopo la scomparsa di Charlie Haden si pubblica questo ultimo documento della sua Liberation Music Orchestra, un lavoro che il compianto contrabbassista progettò ma che non ebbe modo di portare a compiuta realizzazione. Vessillo del suo impegno civile e umano, l'orchestra era nata nel 1969 raccogliendo una pletora di musicisti straordinari, molti dei quali ...
Man Of The Light: The Life And Work Of Zbigniew Seifert
by Ian Patterson
Man Of The Light: The Life And Work Of Zbigniew Seifert Aneta Norek-Skrycka 172 Pages ISBN: 978-83-938054-2-6 The Zbigniew Seifert Foundation 2016 A number of European jazz musicians stand out for having shaped the sound of the music in the past fifty years, for their virtuosity and for having ...
Modus Factor: The Picasso Zone
by Dan McClenaghan
Modus Factor, a trio based in Toronto, says it creates “Electro ambient improvisational bedlam." An accurate description of their sound except, perhaps, for the bedlam part (for the most part). Featuring a drums/bass/electric trumpet line-up, with effects, the comparisons that come to mind are Nils Petter Molvaer's spacey approach on sets like Switch (OKeh Record, 2014) ...
Allen Carter Big Band: Time on My Hands
by Jack Bowers
In 2010, composer / arranger / drummer Allen Carter seemingly appeared from out of nowhere (North Dakota, actually) to record Gifts, his first album as a big-band leader and one of the more impressive anthologies in that or any other year. As 2016 passed its midpoint and moved inexorably toward a final bow, Carter decided the ...
Calling Ra, Mr. Sun Ra your rocket ship is ready
by Mark Corroto
How prophetic is it that we now live in the second century of Sun Ra's earthly existence? Born (maybe) in Alabama 1914, Herman Poole Blount became the pianist, arranger, band leader, poet, and can we say prophet(?) we know as Sun Ra. He was both a man of his times and a messenger from the space. ...
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