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Saxophonist Joshua Redman on the issues that face jazz musicians
Tenor saxophonist Joshua Redman has been a star since he burst onto the jazz scene in his early 20s, winning the Thelonious Monk competition in 1991 and launching his prolific recording career in 1993. At 45, he remains a charismatic musician with broad stylistic interests, but with a blues sensibility and a fundamental allegiance to mainstream ...
Andrew Rathbun: Numbers & Letters
by Dan McClenaghan
Toronto-born saxophonist/composer Andrew Rathbun is no stranger to pushing the boundaries. He has released a dozen superb modernistic CDs under his own name, perhaps most notable of these his nod to his fellow Canadian, writer Margaret Atwood, Sculptures (Blue Moon, 2002), and 2009's and Where We Are Now (Steeplechase Records). Rathbun, on all of his previous ...
Angles 9: Injuries
by John Ephland
What's to love about this CD is the musicality that's thrown into the maelstrom of styles and attitudes. You've got a hint of early, experimental jazz from the mid-60s with the opening number, “European Boogie" (think Bobby Hutcherson with Eric Dolphy or Archie Shepp, the vibes being paramount); that's until they all start into a kind ...
Marko Djordjevic & Sveti: Something Beautiful
by John Ephland
Drop the “needle" down anywhere on Something Beautiful and you're likely to find ... something beautiful. There's some hidden spirit that carries this music along from track to track as drummer/composer Marko Djordjevic takes his merry band of four (when it's not a trio) through 12 hearty originals, all of them Djordjevic's. After listening ...
Sei Miguel: Salvation Modes
by John Ephland
A delicacy pervades this music from start to finish. Sei Miguel's Salvation Modes is flush with silence, interludes, the sounds of musical instruments that made you love them in the first place. The disc is spread over three extended pieces: the first piece, “Preludio e Cruz De Sala," including trumpeter Miguel with guitarist Pedro Gomes, trombonist ...
The Healing Power of Music: Can Jazz Repair a Damaged Brain? The case of trumpeter Louis Smith
by Hrayr Attarian
The title above is not an abstract statement or a philosophical question. Hence, what follows is not a speculative or metaphysical piece. It is an evaluation of the concrete, experimental data on the merits of music therapy in the treatment of brain injury, particularly one due to a stroke. A stroke or a cerebrovascular accident (CVA) ...
Roy Hargrove Quintet at Jazz at the Centre
by C. Andrew Hovan
Roy Hargrove Quintet Jazz at the CentreNorthwest Activities Center Detroit, Michigan January 11, 2014 It seems these days that some of the most crucial aspects of jazz are the ones being downplayed by those jazz artists that have become the darlings of the jazz media. Peruse any number of ...
Dave Sharp's Secret 7: Worlds
by Glenn Astarita
Poll-winning Detroit-reared bassist Dave Sharp (Killer Joe Trio, The Melvins) takes you around the world in a little under an hour. Here, the bassist gathers a large international cast, appearing on alternating tracks. Following Secret Seven (Blue Pie, 2010), the artist extends his reach but still interconnects Western and Eastern modalities with the jazz vernacular. One ...
Renaud Garcia-Fons: Solo: The Marcevol Concert
by Dan Bilawsky
In the hands of even the most accomplished professionals, the bass is but a single instrument which happens to serve a few purposes; in the hands of Renaud Garcia-Fons, the bass is a world unto itself. On Solo: The Marcevol Concert, Garcia-Fons demonstrates his singular approach to the instrument on a program of music that's both ...
Tampere Jazz Happening 2013
by John Ephland
Tampere Jazz Happening Tampere, Finland October 31-November 3, 2013 It all started with a whimper. Or, rather, a quiet, almost serene drum roll. You knew things were going to eventually explode, but, of course, the getting there was half the fun. The Danish drum duo Toto was working in tandem in what ...
