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About Michael Vatcher
Instrument: Percussion
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Michael Vatcher
California native Michael Vatcher, now residing in Amsterdam, quickly progressed from hitting household furniture to taking vibraphone and snare drum lessons as a child. In California, he played with reedist Michael Moore, with whom Vatcher has had a long musical relationship, John Handy, and Terry Gibbs. After spending a year in New York City, Vatcher moved to Holland in 1981. Since arriving in Holland, Vatcher has played with such groups as the Tristan Honsinger Sextet, the Martin Altena Ensemble, John Zorn, The Ex, Roof (with Phil Minton, Tom Cora, and Luc Ex), and Van Dyke Parks. Vatcher is also a regular accompanist with the School for New Dance Development in Amsterdam, and has an ongoing musical relationship with dancers Katie Duck and Eileen Standley
Why Can't We Live Together?
by Ludovico Granvassu
We explore the music and bands we love not only for a source of sonic delight, but also as a metaphor of how ideal societies can work, in harmony and respect, regardless of place of origin and without boundaries, to create something higher than themselves. So this week we focus on music that may provide either ...
BigSpoon's Chris Engel: Intention... And Spontaneity
by Ian Patterson
So much goes into a debut albuma lifetime of learning, experiences and myriad influences. The music that springs forth is also often shaped in subtle and unfathomable ways that are sometimes not entirely clear even to the composer. Some musical reference points may appear obvious, others much less so, and so it is with ...
Steve Swell / Robert Boston / Michael Vatcher: Brain In A Dish
by John Sharpe
It is hard to think of a more complete trombone player on the scene than Steve Swell. While a go-to sideman for the likes of William Parker, Ken Vandermark, Jason Kao Hwang and Tim Daisy, he has also amassed a significant body of work over the years in his own right. Although his output has featured ...
Brain In A Dish
Label: NoBusiness Records
Released: 2019
Track listing: Brain In A Dish; New Use For Old Neurons; Feed Me!; Just Another Alogism; Tastier Than Oranges; No Heavy Perfumes; How Do You Like Yours?; Fried Or Roasted?; See Our Ad; Trepanation Trepidation; Psychopath In A Church Pew.
Christoph Erb / Michael Vatcher: Yellow Live
by John Sharpe
At one time a drum and saxophone encounter would always invoke comparisons with the urtext of John Coltrane's Interstellar Space (Impulse, 1974). While that is still a potent model, present day practice encompasses almost every possible mood and temperament. Swiss saxophonist Christoph Erb and formerly expatriate American drummer Michael Vatcher touch on many such wayward territories ...
Russ Lossing, Jasper Blom and More
by Maurice Hogue
Sometimes a recording catches you by surprise. Such is the case with Swedish bassist Thomas Markusson's Open. Only one of the musicians was familiar, the pianist Naoko Sakata who moved from Japan to Sweden where she could play the kind of music that wasn't popular in Japan. Sakata definitely found the right company. Markusson is a ...
Vision Festival 2018
by John Sharpe
23rd Annual Vision Festival Roulette New York, NY May 23-28, 2018 Introduction The Vision Festival somewhat surprisingly but reassuringly stands proud as the longest-lived annually produced jazz festival in New York. While the central plank remains what the Festival terms avant jazz, it's interspersed with poetry, dance, art, and ...
Michael Moore: Live in Chicago / Felix Quartet
by Giuseppe Segala
Si aggiungono due nuovi lavori al sostanzioso catalogo Ramboy, l'etichetta autogestita dal sassofonista e clarinettista Michael Moore, fondata nel 1991, che documenta l'attività ampia e multiforme del musicista. La conoscenza di Moore è forse maggiormente legata alla sua presenza nel Clusone Trio, formazione nata nel 1988 con Ernst Reijseger al violoncello e Han Bennink alla batteria ...
Steve Swell: Kanreki: Reflection & Renewal
by John Sharpe
To mark his sixtieth birthday (December 6, 2014), trombonist Steve Swell, long the pre-eminent trombonist on the NYC free jazz scene, invokes the Japanese custom of Kanreki. Although it is said to signal both a rebirth and a handing on of responsibilities, Swell shows no signs of allowing the occasion to inhibit his ambition. Over the ...