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Results for "Michael Bloom Media Relations"
Quincy Jones And His Orchestra: Live In Ludwigshafen 1961
by Dan Bilawsky
Artistic dreams and financial realities are rarely in alignment. That's a sad fact that the great Quincy Jones learned the hard way at the dawn of the '60s. Jones was in Europe at the time, directing a dream orchestra that he put together for the musical Free And Easy. When that show closed in February of ...
Lyle Mays Quartet: The Ludwigsburg Concert
by Chris M. Slawecki
Intentionally or not, keyboardist Lyle Mays seems to maintain a public profile that's lower than low. His most famous engagement is his tenure in a group named for someone else (The Pat Metheny Group), and The Ludwigsburg Concert is only his sixth solo release since his eponymous solo debut for Warner Bros. Jazz in 1985, and ...
Groove Legacy: Groove Legacy
by Chris M. Slawecki
Built around the core of saxophonist Paulie Cerra, keyboardist Bill Steinway and bassist Travis Carlton (son of legendary guitarist Larry Carlton), Groove Legacy is just as much a sound and feel as it is this band and the title of their eponymous debut. Although they've collectively played with everyone from Al Green through Stevie Wonder to ...
Mark Murphy: Live in Athens, Greece
by Dan Bilawsky
No figure in jazz personified hip the way that the late Mark Murphy did. For more than half a century he taught the world what it meant to be a true artist, pushing boundaries, walking the tightrope, and going where he pleased. He had it all--wit, charm, guile, good taste, a pure improviser's spirit, a flexible ...
Joan Jeanrenaud: Visual Music
by Karl Ackermann
Cellist Joan Jeanrenaud had been a member of the celebrated Kronos Quartet for more than twenty years when, she found herself sidelined with a serious health issue. Following an extended leave from music she embarked on a solo career, turning out the highly-regarded albums, Strange Toys (Talking House, 2008), Metamorphosis (New Albion, 2009) and--in association with ...
Piero Umiliani: Psichedelica
by Dan McClenaghan
Psichdelica is a fun album. It is music from the pen of Italian movie scorer Piero Umbiliani. The music here composed and recorded for the movie Svenzia Inferno e Paradiso (1968) is in large part a slice of those times. “Trippy, very trippy," might be the colloquial 1968 description for the the disc's first four tunes, ...
Joan Jeanrenaud: Visual Music
by Dan McClenaghan
Cellist Joan Jeanrenaud spent more than twenty years as a member of the experimental and always innovative Kronos Quartet. She left the group in 1999, and has since created an adventurous and captivating body work, including four previous CD releases, including the Grammy-nominated Strange Toys ( Talking House Records, 2008) and 2010's Pop-Pop (Deconet Records), in ...
Harp Happenings: Brandee Younger And Pacific Harp Project
by Dan Bilawsky
Harp happenings are relatively rare in jazz, but they are there. And when two highly agreeable and strikingly different harp-centric affairs appear on your doorstep around the same time, it really makes you stop and take notice of the instrument, its potential, and the players who are moving it forward and outward in various directions. Both ...
Lyle Mays Quartet: The Ludwigsburg Concert
by Karl Ackermann
He has been referred to as Pat Metheny's alter ego, in the way that Billy Strayhorn was to Duke Ellington. Pianist/composer Lyle Mays was born with perfect pitch in a tiny rural hamlet of Wisconsin. Had it not been for his family's strong affinity for music, Mays may have had little exposure in that environment. Mays ...
Oddjob: Folk
by Karl Ackermann
Having been commissioned by Swedish Radio in the early 1960s, Jazz på Svenska (Jazz in Swedish) (Megafon Records, 1964) became--and remains--the best-selling jazz recording in that country. The spare interpretations of early Swedish folk tunes was rendered by pianist Jan Johansson and bassist Georg Riedel. More than fifty years later, that country's quintet, Oddjob, mines those ...
