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Results for "Mel Lewis"
Trombone x 4 (x 4)
by Alberto Bazzurro
Che ci sia un trombone a guidare la cosiddetta front line di un gruppo jazz, ammettiamolo, non è merce poi così usuale. Ci fa quindi piacere, amando particolarmente il suono rotondo, pieno, evocativo dello strumento, legare uno con l'altro quattro album che praticano tale formula, incisi e pubblicati nel giro di pochi mesi, tra la fine ...
I Nuovi Protagonisti dell'Orchestrazione - 1: Darcy James Argue - Ryan Truesdell - Orrin Evans
by Angelo Leonardi
Dopo la morte di Gil Evans e Thad Jones nella seconda metà degli anni ottanta e la progressiva uscita di scena di George Russell, il ruolo del compositore/orchestratore nel jazz ha sofferto di un gap generazionale. Meno marcato di quanto è apparso pubblicamente ma comunque consistente. Anche se negli anni novanta già operavano figure del calibro ...
The Vanguard Jazz Orchestra: OverTime: Music Of Bob Brookmeyer
by Dan Bilawsky
Trumpeter Thad Jones and drummer extraordinaire Mel Lewis may have given birth to the band that's now known as The Vanguard Jazz Orchestra, but the late Bob Brookmeyer gave the group artistic independence at a time when it was sorely needed. When Jones left the fold and departed for Europe at the tail ...
Mel Lewis: 'Got'cha'
Yesterday I told you about Trigger Alpert's fabulous first leadership album in October 1956. Today, it's drummer Mel Lewis's turn. His first album under his own name was Got'cha, recorded for the San Francisco Jazz label in November 1956. Prior to '56, drummer Lewis was a big-band guy, starting with Ray Anthony's band in 1949. He ...
Thad Jones: Detroit-New York Junction – Blue Note 1513
by Marc Davis
Before he became famous as the leader of a big band, Thad Jones was a trumpet player, and a damn good one. In 1956, Jones led his first jazz group. It was a small sextet--unlike his later, more celebrated ensemble, co-led by Mel Lewis. This short album, which chronicles that session, has only five ...
Emil Viklicky & George Mraz: Mraz & Viklicky: Together Again
by Ian Patterson
In European jazz the assimilation of folkloric influences has become commonplace as the American vernacular--or more specifically the Great American Songbook--exerts less of a hold. Czech musicians pianist Emil Viklický and bassist George Mraz's collaborations on Morava (Fantasy/Milestone 2001)--with drummer Billy Hart and singer Zuzana Lapcikova--and Moravian Gems (Cube-Métier 2007) with singer/violinist Iva Bittova and drummer ...
Gerard D'Angelo: Who's Kidding Who?
by DanMichael Reyes
The old adage about those who can do and those who can't teach doesn't fit nicely into any music tradition. If this fallacy were to hold true, then it would be best for music history books to write off Joseph Haydn for taking on pupils--Beethoven being one of the more famous ones. That old idiom penned ...
Mark Sherman: Truth Of Who I Am
by DanMichael Reyes
Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...
Stan Kenton: Road Shows
by Jack Bowers
For younger readers: yes, there was a time long ago when large groups of talented jazz musicians traveled without respite from city to city and town to town, braving one-night stands or more night after night in (mostly) sold-out concert halls, dance halls, pavilions, nightclubs, schools and other venues. They were known as big bands, so ...
Ted Nash: The Goal Is Creativity
by R.J. DeLuke
A New York City morning often starts early, sometimes 6 a.m., for this musician who is trying to elongate the hours available in a day. There's a lot to get to. Practicing the saxophone or flute. Sitting down to go through the elusive and demanding task of writing music worthy of the plateau, which these days ...
