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4

Article: Album Review

Electric Squeezebox Orchestra: The Falling Dream

Read "The Falling Dream" reviewed by Jack Bowers

by Jack Bowers

No, the San Francisco-based Electric Squeezebox Orchestra does not come with accordions attached. It does, however, come with a well-developed eye for harmony and rhythm, an inflexible group dynamic and a number of perceptive soloists, all of which serve to make the ensemble's second album, The Falling Dream, a pleasure to hear. The ...

3

Article: Album Review

James Weidman: Spiritual Impressions

Read "Spiritual Impressions" reviewed by Jerome Wilson

by Jerome Wilson

There is a long tradition of using traditional African-American spirituals as a basis for jazz explorations, but that is rarely done in one session with the breadth of approaches James Weidman uses on Spiritual Impressions. From the loping reggae beat on “Didn't My Lord Deliver Daniel" to the New Orleans rumba rhythm on “No Hiding Place," ...

8

Article: Catching Up With

Charles McPherson: The Man and His Muse

Read "Charles McPherson: The Man and His Muse" reviewed by Joan Gannij

by Joan Gannij

Acclaimed alto saxophone wizard Charles McPherson has a new muse: his 25-year-old daughter Camille, a premier dancer with the San Diego Ballet, where he also serves as composer-in-residence these days. McPherson was a young father in his twenties, with three children from a first marriage. Thirty years up the road, after marrying the lovely Lynn, a ...

Article: Album Review

Wayne Escoffery: Vortex

Read "Vortex" reviewed by Luigi Sforza

by Luigi Sforza

Non vi sono dubbi sulla natura di quest'ultima fatica discografica del tenor sassofonista Wayne Escoffery (londinese di nascita e newyorkese di adozione): si tratta di un progetto che declina senza remore alcuni paradigmi sonori intrinseci alla musicalità di John Coltrane. Il suono muscolare, incisivo, quasi palpabile del sassofono di Escoffery funge da guida per ...

9

Article: Interview

Dan Monaghan: The Man Behind The Swing

Read "Dan Monaghan: The Man Behind The Swing" reviewed by Victor L. Schermer

by Victor L. Schermer

Dan Monaghan is a working drummer who makes an indispensable contribution to the music by being the one who provides the swing and support that allows the other musicians to achieve their diverse objectives. He performs so often in the Philadelphia area that if you go to a jazz show, there's a fair chance he'll be ...

9

Article: Genius Guide to Jazz

Rising Stars: The Beginning of the Han Dynasty

Read "Rising Stars: The Beginning of the Han Dynasty" reviewed by Jeff Fitzgerald, Genius

by Jeff Fitzgerald, Genius

As I write this, there is a government shutdown in effect due to a budget impasse. What that means to you, kids, is that I am free to do whatever the hell I want without the constrictive Federal Jazz Commission telling me what is and isn't appropriate material for this column. If I wanted to write ...

68

Article: Interview

Nduduzo Makhathini: Jazz Is a Shared Memory

Read "Nduduzo Makhathini: Jazz Is a Shared Memory" reviewed by Seton Hawkins

by Seton Hawkins

It can be overwhelming to keep up with the artistic growth, creative reach, and constant development that marks the career of Nduduzo Makhathini. In the past four years, he has released eight solo albums, all exploring remarkably different territories and demonstrating a ceaselessly probing mind and inventive creative urge. In addition to that, he has emerged ...

1

Article: Book Review

Gerlando Gatto: Gente di Jazz

Read "Gerlando Gatto: Gente di Jazz" reviewed by Neri Pollastri

by Neri Pollastri

Gente di Jazz Gerlando Gatto 232 pagine KappaVu 2017 In questo volume Gerlando Gatto -catanese trapiantato a Roma, che di jazz si è occupato fin dai suoi esordi giornalistici risalenti ai primi anni Settanta e oggi una delle firme storiche del jazz italiano -raccoglie alcune delle sue numerosissime interviste con ...

5

Article: Album Review

Elliot Mason & Cre8tion: Before, Now & After

Read "Before, Now & After" reviewed by Dan Bilawsky

by Dan Bilawsky

Jazz has no shortage of albums dealing with the past-present-future continuum--quite the opposite, in fact--but few carry as personal a tone as trombonist Elliot Mason's debut leader date. While speaking to broad concepts in dealing with the music's history and the notion of time taking form as one giant through line, Mason also inserts family ties ...

9

Article: Album Review

Matthew Shipp: Not Bound

Read "Not Bound" reviewed by Don Phipps

by Don Phipps

On Not Bound, pianist extraordinaire Matthew Shipp and his top-drawer rhythm section of Michael Bisio on bass and Whit Dickey on drums is joined by multi-instrumentalist Steve Carter in an exceptional tour de force of spontaneous music within a compositional framework. Each of the five tracks offers unique and exciting lyricism. “Soul Secrets" begins ...


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