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Ron Oswanski: December's Moon
by Edward Blanco
A modernist with the Hammond B-3 organ, Ron Oswanski introduces himself as leader for the first time crafting a vibrant modern jazz, almost fusion-like in texture, musical experiment on December's Moon. On tap are a host of exciting new originals as well as creative and swinging arrangements of music from trumpeter Kenny Wheeler whose “Kayak, and ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
“Feels Like Home” Thanks To Saxman MacArthur’s Friends
Album “Sanctified” by the appearance of Brian Bromberg, Rick Braun, Jeff Lorber and Jeff Golub Tampa, FL: “When are you going to let me make a record with you?” For years, Grammy-nominated bassist Brian Bromberg posed this question to saxophonist Mike MacArthur. Finally the saxman acquiesced. He grabbed his tenor horn, hopped a jet and camped ...
Art Blakey and the Jazz Messengers: Moanin'
by Mike Oppenheim
Throughout its history, jazz has constantly evolved, developing from and reacting against its earlier incarnations. The mid-1940s saw bebop reinvent jazz as an artist's genre, distinct from the swing style that was the popular music throughout the 1930s and '40s. Bebop was music for listening, not dancing, and the emphasis became virtuosic improvised solos instead of ...
The Dave Lalama Big Band: The Hofstra Project
by Edward Blanco
As an academic, pianist Dave Lalama's resume includes being a founding faculty member of the prestigious Manhattan School of Music Jazz Program, as well as a current professor at Hofstra University where hundreds of students, colleagues and musicians have all been a part of his distinguished professional life. As a musician, his background includes performances with ...
Michael McNeill Trio: Passageways
by Eyal Hareuveni
Michael McNeill's debut as a leader introduces a fresh perspective to the popular piano trio format. His compositions don't progress in a linear manner, nor do they strive to settle on time-tested harmonic or rhythmic structures; instead, they insistently explore the sonic possibilities within the immediate, fragile and equal interplay that the Buffalo, NY-based pianist-composer has ...
Dave Brubeck: Small Groups, Large Stature
by Jack Bowers
Dave Brubeck wasn't really a big-band kinda guy; in fact, he was seldom seen in groups larger than four or five. On the other hand, he was an extraordinary musician, one whose influence will no doubt be felt for generations to come. Brubeck, who remained active almost to the end of his life, died December 5 ...
Davey Payne: Ready To Play
by Sammy Stein
Davey Payne is known best for the time when he was saxophonist with British group, The Blockheads. His solo on the 1978 number 1 hit, “Hit Me With Your Rhythm Stick" was the first time a double sax solo had appeared on a hit record. Before he joined forces with Dury, who fronted The ...
Bob Mintzer: Amazing Reach
by Bob Kenselaar
For about half of his four decade-long career in jazz, Bob Mintzer has been a member of the Yellowjackets, one of the most enduring, distinctive and creative bands in contemporary jazz. But, oddly enough, this association is a relatively small slice of Mintzer's remarkably multifaceted life in music as a saxophonist, bass clarinetist, composer, arranger, educator ...
Clifford Brown "The Singers Sessions With Dinah Washington, Sarah Vaughan And Helen Merrill: The EmArcy Master Takes Vol. 2" On Hip-O Select / Verve
Available exclusively at Hip-OSelect.com now and available to all retailers October 23, 2012 Legendary trumpeter Clifford Brown was not only a master bandleader, soloist and composer, he was a supremely sensitive sideman – a welcome addition to any jazz session. The newly released 3-CD set, The Singers Sessions: The EmArcy Master Takes Vol. 2, collects the ...
