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4

Article: Album Review

Orquesta Libre + Suga Dairo + RONxII: Plays Duke

Read "Plays Duke" reviewed by Eyal Hareuveni


Japanese drummer Yashuhiro Yoshigali's Orquesta Libre programs reflected the master musicians eclectic tastes and versatile capabilities--any thing from nuevo-tango, psychedelic hits from the sixties to Burt Bacharach and jazz standards, all performed in playful arrangements. So, dedicating a whole program to some of the most recognizable standards of Duke Ellington, few were popular dance songs, came ...

10

Article: Live Review

2013 Enjoy Jazz Festival

Read "2013 Enjoy Jazz Festival" reviewed by John Kelman


Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...

15

Article: Profile

Memories in Motian

Read "Memories in Motian" reviewed by Zeno De Rossi


Soon after hearing about Paul Motian's passing (November 22, 2011) I felt the urge to delve (again) into his music. Later on, inspired by a moving writing by Ellery Eskelin (published on his website and reproduced below, by his kind permission), I thought it would have been interesting to collect brief memories from ...

5

Article: Interview

Dwayne Burno: Tradition

Read "Dwayne Burno: Tradition" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] Dwayne Burno is one of the great bass players of his generation. Originally from Philadelphia, Burno has been on the New York and international jazz scene since 1990. He has played with so many of the great legends of jazz: Betty ...

3

Article: Album Review

Tony Oxley: A Birthday Tribute--75 Years

Read "A Birthday Tribute--75 Years" reviewed by John Eyles


As its title indicates, this album was released to mark the occasion of drummer Tony Oxley's seventy-fifth birthday (which occurred on June 15 2013.) Fittingly, it is released on Incus, the ground-breaking label that Oxley established in 1970 with Derek Bailey and Evan Parker, frequently cited as “the first independent musician-run record label in Britain" (just ...

8

Article: Interview

George Cables: The Pianist’s Dedication to the Group

Read "George Cables: The Pianist’s Dedication to the Group" reviewed by Victor L. Schermer


Anyone who is serious about jazz will tell you that George Cables belongs in the pantheon of the greatest jazz pianists. Everyone, that is, except George Cables. Exceptional in every way, he is yet a team player. He sees himself as part of the rhythm section, and has always emphasized the group over the soloist. He ...

4

Article: Live Review

Detroit Jazz Festival 2013

Read "Detroit Jazz Festival 2013" reviewed by Steve Bryant


Detroit Jazz FestivalDetroit, MIAugust 30-September 2, 2013You have read the news and heard the stories on radio and TV. Detroit is bankrupt and going into ruin. However, Gretchen Valade definitely doesn't appear to believe the hype, as she managed to fashion the Detroit Jazz Festival (DJF) into one of the largest, most star-studded ...

3

Article: Album Review

Alexis Cuadrado: A Lorca Soundscape

Read "A Lorca Soundscape" reviewed by Dan Bilawsky


When times are tough, injustice is in the air, and something needs to be said, jazz always finds a way to do the talking. In times past, it was Billie Holiday singing “Strange Fruit" at Cafe Society, drummer Max Roach and vocalist Abbey Lincoln pouring their hearts out on We Insist! Max Roach's Freedom Now Suite ...

3

Article: Interview

John Santos: Keeper of the Culture

Read "John Santos: Keeper of the Culture" reviewed by Steve Bryant


In a career spanning almost 40 years, percussionist John Santos has gained world-wide renown and acclaim as one of the great composers and bandleaders in the Afro-Cuban jazz idiom. The four-time Grammy nominee is one of the foremost proponents of Afro-Latin music in the world today, known for his innovative use of its traditional musical forms ...

4

Article: Live Review

Clifford Brown-Max Roach Project at the Piedmont Piano Company

Read "Clifford Brown-Max Roach Project at the Piedmont Piano Company" reviewed by Harry S. Pariser


Clifford Brown-Max Roach ProjectPiedmont Piano CompanyOakland, CAAugust 10, 2013“[Clifford Brown's] technique was, for him, to use the facility and bring up the quality of a trumpet player in relation to having his trumpet expressed as a voice. He not only had the technique, he had the love. The sound he would ...


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