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Carlos Bica, Sulida, Gayle / Parker / Graves & Giovanni Guidi
by Maurice Hogue
This episode that tilts heavily to the “freer" side was enjoyable to put together. Highlights are provided by new albums from the new Norwegian trio, Sulida, England's Paul Dunmall & Laura Jurd (saxophone and trumpet), Italy's fine pianist Giovanni Guidi's trio with guest James Brandon Lewis, an excerpt of a live recording by Yoni Kretzmer & ...
Ben Monder, Joao Lencastre & Emile Parisien
by Maurice Hogue
The much-respected guitarist Ben Monder took ten years to painstakingly craft the music on his latest release Planetarium. It's Monder at his finest, filtering through various moods, technique and sonic surprises. There's new music from Europe as usual--the German trio Brom, French soprano sax wizard Emile Parisien and his quartet, and Portuguese drummer Joao Lencastre and ...
Luis Vicente, Roberto Ottaviano, Fujii/Tamura & The Who Trio
by Maurice Hogue
New releases abound this time out, including : two from Clean Feed and both excellent--trumpeter Luis Vicente's Come Down Here & Italy's soprano saxophonist Roberto Ottaviano's Lacy In The Sky With Diamonds ( a tribute to Steve Lacy, not The Beatles); Polish saxophonist Irek Wojtczak's own tribute to a town where he grew up; trumpeter Michael ...
Bassdrumbone, Kim Cass & Ivo Perelman
by Maurice Hogue
Ever heard of “fartlek"? It's a method of training for runners where they can play around with their speeds, very unstructured. That's sort of what this episode of One Man's Jazz turned out to be--all over the place in terms of style, tempos, musical variations and origins in the albums debuting. For instance, the Southeast Asian ...
Albert Beger, Matthew Ottignon & Sinaptrico
by Maurice Hogue
Another of those One Man's Jazz where the selections come from various geographical locations around the globe and cover a lot of miles: from the Middle East a pair of tunes from Israeli saxophonist Albert Beger; from the Pacific you'll hear new releases from Japan (a Tokyo club first-meeting jam featuring saxophonist Kenzo Ogino & two ...
Tomasz Stanko, Tomasz Dabrowski and Kalaparusha Maurice McIntyre
by Maurice Hogue
Two never-heard-before albums are featured in this edition of OMJ. The first is from a saxophonist many considered overlooked for the list of great saxophonists: Kalaparusha Maurice McIntyre whom Anthony Braxton considered the next great saxophonist after Coltrane. The album features Kalaparusha and quartet playing a set at Studio Rivbea in New York during the Loft ...
Karen Borca, Wadada Leo Smith & Amina Claudine Myers, & Albert Beger
by Maurice Hogue
This episode finds itself in a lot of different nooks and crannies of creative improvised music; there's the bassoon of Karen Borca, often considered the pioneer of that instrument in jazz, on a never-heard-before album, there's meditative yet free collaboration between two long time friends and members the AACM, trumpeter Wadada Leo Smith and pianist Amina ...
Rudi Mahall, Fabian Dudek, John Blum & Tarbaby
by Maurice Hogue
The shrinkwrap comes off several new albums sampled in this show, and there's a decided tilt to Europe. One of the stalwarts of the European avant-garde, Rudi Mahall, offers The Straight Horn Of Rudi Mahall, his first album playing only clarinet. Another reed player from Germany, Fabian Dudek doesn't hold anything back on his intriguing Distant ...
Phil Haynes, Janel Leppin, & Ndududzo Makhathini
by Maurice Hogue
Last year veteran drummer Phil Haynes set out on a mission to document his past recording and music history; the first step, and a large one, was the publication of a book, “Chasing The Masters," which was paralleled by a 60-plus compilation of songs by various groups he led or played with. One of those bands ...
David Sanborn, Alan Braufman & Tahmela Six
by Maurice Hogue
David Sanborn's passing really stirred up a lot of memories of top-down cruisin' on the road, stereo blasting, and a lot of good times. So much has been written about David, and I can only add how much I loved that sound--you knew it right off--and his ability to play in any context. Rock on' David ...
