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Wójciński-Szmańda Quartet, Dustin Laurenzi and More
by Maurice Hogue
The underlying theme in this episode appears to be ensembles of varying sizes and styles. From Sweden, trumpeter Goran Kajfeš' quartet Tropique blends elements of groove, trance, improv, African with a Don Cherry on top in the new Into The Wild, while another quartet, the Wójciński/Szmańda Quartet from Poland, knocks down the walls of same-same with ...
Joseph Benzola, Liebman/Rudolph/Drake, Tom Kessler and More
by Maurice Hogue
Canadian saxophonist and flautist Anna Webber has seen her star rising since settling in New York. She's become a highly regarded member of the creative improvisation scene there, and each recording of her own compositions becomes more impressive. With her septet she tackles a number of homages to some of her favourite 20th century composers' percussion ...
David Liebman & Jeff Coffin, Acamar Trio & More
by Maurice Hogue
Danish percussionist and drummer Marilyn Mazur has worked with some of the greats--Miles Davis, Wayne Shorter, Gil Evans, Jan Garbarek--but her latest project is unlike anything previously. She's assembled an ensemble of top women musicians from Scandinavia for her new Shamania release. It's a highlight of this episode of One Man's Jazz, and so is the ...
Ben Monder, Ingrid Laubrock and More
by Maurice Hogue
The Dutch powerhouse quintet Spinifex included a pair of tracks imbued with Sufi traditional music of Kurdish/Iranian origin, and a Qawali traditional from Pakistan on their last recording, Amphibian Ardour; they loved the challenge of fusing those styles into their irregular structures and free jazz so much that they decided to go all in on their ...
James Brandon Lewis, Mick Rossi and More
by Maurice Hogue
Finding your own path is one thing, staying on it is another. This show features several musicians who are doing that today. Bassist Moppa Elliott's urge to challenge the idiom is not confined to his occasionally controversial Mostly Other People Do The Killing. His new recording, Jazz Band/Rock Band/Dance Band, presents three distinctly different bands and ...
Iro Haarla, Ulf Krokfors, Eric Dolphy and More
by Maurice Hogue
Some very important saxophonists are featured in this episode: Frenchman Emile Parisien is back with almost all of his original quartet, Gebhard Ullman shows why he's considered one of the best contemporary multi-reedists with his Basement Research band, Dave Rempis's new trio debuts The Early Bird Gets, and the great Eric Dolphy with previously-unissued music in ...
Mark Lomax, Rosetta Trio & Federica Michisanti
by Maurice Hogue
February is Black History Month and this episode features some music recognizing that fact. Drummer and musicologist Mark Lomax 's 400: An Afrikan Epic is a monumental 12-album cycle honoring the 400th Anniversary of the Transatlantic Slave Trade. He used the music he grew up with--spirituals and blues--as source material, and despite criticism and resistance from ...
Burning Ghosts, Alister Spence and More
by Maurice Hogue
Expat bassist Mike Parker is living in Poland now and making great music with his Trio Theory. This episode kicks off with a pair of tunes from Shiny Objects, Dark Places, his latest album. You'll also hear Burning Ghosts with their musical expression of anger and distaste for the current state of American politics. The second ...
Steph Richards, Kuba Plużek and More
by Maurice Hogue
The much-acclaimed Australian saxophonist Sandy Evans' passion for combining jazz improvisation and Indian music continues unabated on her latest recording Bridge of Dreams. She brought together some top musicians from India, including the incredible vocalist Shubha Mudgal, Sandy's frequent accompanist tabla player Bobby Singh and the Sirens Big Band from Sydney for the project. Recently, the ...
Russ Lossing, Jasper Blom and More
by Maurice Hogue
Sometimes a recording catches you by surprise. Such is the case with Swedish bassist Thomas Markusson's Open. Only one of the musicians was familiar, the pianist Naoko Sakata who moved from Japan to Sweden where she could play the kind of music that wasn't popular in Japan. Sakata definitely found the right company. Markusson is a ...
