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401

Article: Nordic Sounds

Haarla, Krokfors & Paivinen: Intimate Intensity

Read "Haarla, Krokfors & Paivinen:  Intimate Intensity" reviewed by Matthew Wuethrich


The Finnish composer and drummer Edward Vesala once said, “If you want to make music, do it with 100% conviction or don't bother at all." As a musical setting, duets are a dangerous space: they can clearly show if a musician does not have 100% conviction, for they leave improvisers naked, both technically and emotionally. Such ...

160

Article: Nordic Sounds

Delirium in Concert: Dialoguing with the Ages

Read "Delirium in Concert:  Dialoguing with the Ages" reviewed by Matthew Wuethrich


Jazz Bar February 19, 2004 Jyväskylä, Finland Musicians constantly dialogue with two entities: themselves and tradition. Music is rarely ever totally new, but builds on what has come before, adding extensions and responses. As the world of recorded sound grows exponentially, so grows the dialogue’s number of participants. The Finnish-Danish quartet Delirium ...

248

Article: Nordic Sounds

Composed Spontaneity: The Music of Kari Ikonen, Mikko Innanen and Esa Onttonen

Read "Composed Spontaneity: The Music of Kari Ikonen, Mikko Innanen and Esa Onttonen" reviewed by Matthew Wuethrich


“Music is music. You can't put it into state borders." -- Mikko Innanen Saxophonist and composer Mikko Innanen has a story that should make listeners think twice about reading too much into a performer's nationality. A Danish critic titled a recent review of an Innanen concert “Tales from Finland" and singled out his ...

273

Article: Nordic Sounds

Juhani Aaltonen Trio

Read "Juhani Aaltonen Trio" reviewed by Matthew Wuethrich


Jazz Bar Jyväskylä, Finland October 16, 2002 The trio has always represented a certain spaciousness and abstraction in jazz: freedom of movement and promise of interaction. Playing to a full house in the newest incarnation of Jyvaskyla's Jazz Bar-after 10 years already an institution in Finland- saxophonist/flutist Juhani Aaltonen, an almost 40-year ...

452

Article: Record Label Profile

Fiasko Records

Read "Fiasko Records" reviewed by Matthew Wuethrich


In 2000, a strange, compelling creature was brought to life in Finland: Fiasko Records. You could hear its first stirrings on Gnomus , the self-titled release from the electric free-improvisation trio. This surreal live recording of completely improvised material was befitting as the beginning of a label dedicated to maintaining artistic integrity and freedom. After speaking ...

199

Article: Album Review

Rauhan Orkesteri: Rauhan Orkesteri

Read "Rauhan Orkesteri" reviewed by Matthew Wuethrich


If naming a free jazz group Peace Orchestra (Rauhan Orkesteri in Finnish) seems like a contradiction, it should; free jazz has always reveled in contradiction: the established rules of melody, harmony and rhythm, the jazz tradition and images of the stereotypical jazz player have all been questioned, torn down and then recreated by those working within ...

138

Article: Album Review

Rolling Thunder: Live in Japan

Read "Live in Japan" reviewed by Matthew Wuethrich


Rolling Thunder fills its music with alternating stretches of probing improvisation and restless silence. Instead of a fire that burns, the music on Live in Japan ripples: notes are tossed into the placid silence and their waves flow outwards until they gradually dissipate at the edges of hearing. They free the listener from analyzing the music ...

190

Article: Album Review

Ilmiliekki Quartet: March of the Alpha Males

Read "March of the Alpha Males" reviewed by Matthew Wuethrich


Jazz musicians have longed mined popular song forms. Two legends in particular – Miles Davis and Chet Baker – devoutly explored them. In his biography of Miles Davis, John Szwed ponders their interest: ”They both saw that despite the naive optimism of most pop songs, they were essentially sad; in fact, they formed a long chain ...

111

Article: Album Review

Triade: L'Ardu

Read "L'Ardu" reviewed by Matthew Wuethrich


JazzTimes writer Stuart Nicholson recently posited that appropriation has driven the development of jazz, for it draws on disparate musical sources to enrich its own vocabulary. This force has however been balanced with some constants that link one stage of development to another, and the most notable constant has been ensemble combinations. Of those combinations, perhaps ...

142

Article: Album Review

Raoul Bj: Shadowglow

Read "Shadowglow" reviewed by Matthew Wuethrich


Shadowglow, the sixth release this year from Finland’s TUM Records , plays more like a series of sound experiments than a collection of songs, and following the creative process of guitarist Raoul Björkenheim and percussionist Lukas Ligeti makes for intriguing listening. In this duo setting, both musicians let their omnivorous musical minds and vast technique wander ...


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