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David Maranha / Rodrigo Amado: Wrecks
by Mark Corroto
There was a children's television show that aired every Saturday morning in the 1960s where the host faced the camera while holding up a looking glass. He would say something to this effect: “Hello friends, today I see Billy, Allison, Teddy, etc." Those watching thrilled to hear their name or the name of a sibling or ...
Derek Bailey Sabu Toyozumi: Breath Awareness
by John Sharpe
English guitarist Derek Bailey was a regular visitor to Japan, where he was particularly appreciated. Audiences were such that after his first tour in 1978, he reportedly brought home the money to buy a car. As a consequence, he encountered many of the major figures on the country's free improvisation scene, as releases such as Duo ...
Gush: Afro Blue
by John Sharpe
Time brings perspective. The three members of the Swedish band Gush--pianist Sten Sandell, drummer Raymond Strid and saxophonist Mats Gustafsson--were amazed at the quality of the music on this archive tape when they heard it again a quarter century after it was recorded, having forgotten about it completely in the interim. And they are right to ...
Sol Sol: Almost All Things Considered
by Chris May
Ever since the untimely passing of the pianist Esbjörn Svensson in 2008, and the consequent diminution of his trio's radio-friendly but lightweight style, Sweden's then predominant place in Scandinavian jazz has ceded ground to Norway. So, anyway, do the results of a statistically totally invalid survey of observers in this parish suggest. But ...
The Core: Roots
by Mark Corroto
It has been over a decade since a release from the Norwegian jazz band The Core. Founded in 2001, the quartet released half a dozen albums before mostly going their separate ways. Saxophonist Kjetil Møster worked with Gard Nilssen, Mats Gustafsson, and Per Zanussi, pianist Erlend Slettevoll with Hedvig Mollestad and Petter Wettre, bassist Steinar Raknes ...
Fire!: Testament
by Chris May
Recorded and then played back at reduced speed, even a seemingly simple two-note bird call reveals elaborate complexity and detail. It is worth hanging on to that thought when approaching the deceptively straightforward Testament. On a cursory listening, most of the album--an amalgam of Mats Gustafsson's slow-and-deliberate long-held low-end baritone notes and Johan Berthling and Andreas ...
Mats Gustafsson: Hidros 9 Mirrors
by Mark Corroto
For saxophonist, composer, conductor Mats Gustafsson, the motto “go big, or go home" has always applied to his music. Whether it is blowing his baritone saxophone in the avant garage band The Thing or battling the Japanese noise artist Merzbow, Gustafsson is constantly expanding concepts of composed and improvised music. Through various ensembles such as Gush, ...
Trespass Trio featuring Susana Santos Silva: Live in Oslo
by Mark Corroto
Adding Portuguese trumpeter Susana Santos Silva to Swedish saxophonist Martin Küchen's Trespass Trio for the 2018 Blowout Festival in Oslo, Norway was “a no-brainer." The inclusion of her trumpet, which features in ensembles led by Mats Gustafsson, Fred Frith, and Torbjörn Zetterberg, to name but a few, requires little or no thought. It is as if ...
Rodrigo Amado The Bridge: Beyond The Margins
by John Sharpe
The Bridge may be one of the most potent all round units assembled by Portuguese tenor saxophonist Rodrigo Amado. That is saying something considering his previous alliances with collaborators as varied as multi-instrumentalist Joe McPhee, trumpeter Peter Evans, trombonist Jeb Bishop and drummer Chris Corsano. This time out his partners read like an extract from an ...
Vinyl Box
Label: Ni Vu Ni Connu
Released: 2023
Track listing: When Will The Blues Leave? (EP): Take 1&2, Take 3&4; Drastic Plastic: Corsica 1, Corsica 2,
Corsica 3, Drastic Plastic; Reality: Sigurd Rascher Variatoner, Reality; Natural Music: Bird
Notes And Folk Tunes, Spontaneous Creation; Någonting: P, Någonting; To Bengt (10 inch):
Det Behöver Inte Va Mer, Det ÄrBara En Fras, Alltså, Den Här Har Jag Inte Övat På; Vacker
Men Kort, Alltså, Det Är Konkret musik Det Här, Alltså, Short I, Short II, Short III, Cellar Fright
I, Cellar Fright III, Otterberget I, Otterberget II, Otterberget III, Rrrhhmmmm
rrrrrrrhhhhmmmmm!; Flickorna I Smäland.
