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Mat Jodrell

Trumpeter Mat Jodrell is one of the most exciting voices in Jazz today. He has recently returned to Australia after having lived in New York City for the past eight years, performing around the city and teaching at the prestigious Juilliard School of Music. During his time in the States, Mat was a regular member of many ensembles, all of whom he has recorded with. They include Miguel Zenon’s ‘Identities’ Ensemble, Ryan Truesdell’s Gil Evans Project (both Grammy nominated in 2016), Lucas Pino’s No Net Nonet, the Vanguard Jazz Orchestra, Miho Hazama’s M-Unit, Kenny Werner’s ‘No Beginning, No End’, Pedro Giraudo’s Expansions Ensemble, Jon Batiste Band, the Birdland Big Band, the Bill Mobley big band, the Dan Jamieson big band and many others. Since re-locating to the US Mat has had the opportunity to perform with the likes of Benny Golson, Ron Carter, Herbie Hancock, Branford Marsalis, Buster Williams, Hubert Laws, Maria Schneider Orchestra, the Mingus Big Band, James Spaulding, Carl Allen, Terri-Lyn Carrington, Bill Watrous, Gary Bartz, Terence Blanchard, Darcy James Argue, Josh Roseman to name but a few

Love is a Temporary Madness

Label: Self Produced
Released: 2020
Track listing: Spaccanapoli; Dance of the Zinfandels; Woody's Lament; Saint Lazare; Love Is a Temporary Madness; Scar for Charlie; Rebrahmanization.

ARTICLE: ALBUM REVIEW

Vanessa Perica Orchestra: Love is a Temporary Madness

Read "Love is a Temporary Madness" reviewed by Angelo Leonardi

Da Melbourne ci giunge quest'impressionante debutto orchestrale di Vanessa Perica, bandleader e compositrice che guida una formazione con i migliori jazzmen australiani di nuova generazione. Anche se geograficamente distante dal nostro emisfero, il jazz prodotto in Australia e Nuova Zelanda ha sempre mantenuto connessioni con le tendenze e le espressioni nate negli Stati ...

TRACK OF THE DAY

Antiquity

Album:
By
Label: Outside in Music
Released: 2018
Duration: 7:36

ARTICLE: MULTIPLE REVIEWS

The Sounds of Saxophones

Read "The Sounds of Saxophones" reviewed by Jerome Wilson

The saxophone continues to be one of the cornerstone instruments of jazz. Here are three recent recordings that demonstrate different approaches to the use of saxophones in the music. Jordan Pettay First Fruit Outside In Music 2019 Jordan Pettay is a young Julliard graduate who makes her ...

Echoes of Harlem

Label: Nicholas Records
Released: 2018
Track listing: Echoes Of Harlem; For My Folks; I Gotta Right To Sing The Blues; The Peacocks; The Bee Hive; Second Thoughts; Resonance; East Of The Sun (and West Of The Moon); Death Theme (from The Untouchables); Hankish.

That's a Computer

Label: Outside in Music
Released: 2018
Track listing: Antiquity; Horse of a Different Color; Film at 11; Look into My Eyes; Frustrations; Sueno de Gatos; Baseball Simulator 1000.

ARTICLE: ALBUM REVIEW

Lucas Pino's No Net Nonet: That's a Computer

Read "That's a Computer" reviewed by Jack Bowers

Saxophonist Lucas Pino's adventurous New York-based No Net Nonet is on record for the third time with That's a Computer (yes, there's a story behind that but it's too lengthy to recount here), which underscores Pino's usual flair for anomalous compositions and arrangements. Except for drummer Jimmy Macbride, who came on board in 2017, every member ...

ARTICLE: ALBUM REVIEW

Adison Evans: Meridian

Read "Meridian" reviewed by Hrayr Attarian

On her second release as a leader, the buoyant Meridian, saxophonist Adison Evans demonstrates remarkable maturity as both a composer and a performer. Evans drew inspiration from the idyllic Tuscan village where she retreated to pen the music that comprises this intriguing album. The opening title-track sets the mood with the right balance of ...

ARTICLE: ALBUM REVIEW

Christopher Zuar Orchestra: Musings

Read "Musings" reviewed by Jack Bowers

When a composer / arranger who hasn't yet turned thirty can enlist the caliber of musicians who are present and accounted for on Musings, the inescapable assumption is that something special is afoot. Upon listening, that appraisal proves to be quite accurate, as young Christopher Zuar (twenty-seven when this debut album was recorded) presents seven of ...


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