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Albare: Eclecticity

by Jack Bowers
On Eclecticity, his 17th recording as leader of his own groups, Moroccan-born Australia-based guitarist Albare (given name: Albert Dadon) uses, for the most part, members of his working groups, the Alchemists and Harmonix Experiment, to help him plumb jazz tradition and breathe life into 10 of his distinctive yet custom-tailored compositions and arrangements. As a rule, Albare favors strong mid-tempo rhythms that meld emphatically behind sporadic solo commentary by trumpeter Mat Jodrell, saxophonist Phil Noy, pianist Phil ...
Continue ReadingRyan Truesdell: Shades of Sound

by Angelo Leonardi
Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...
Continue ReadingRyan Truesdell / Gil Evans Project: Shades Of Sound

by Jack Kenny
Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...
Continue ReadingRyan Truesdell: Shades Of Sound

by Pierre Giroux
Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...
Continue ReadingSam Anning: Earthen

by Alberto Bazzurro
Una musica largamente composta, molto intenzionale, come amiamo dire in questi casi, forse qua e là persino troppo abbottonata," nel senso di priva delle necessarie (o quanto meno opportune, auspicabili) aperture, improvvisative ma forse prima ancora emotive, e in ogni caso di sicuro valore e interesse, è quanto ci arriva da questo nuovo lavoro del contrabbassista australiano Sam Anning, già firmatario di una dozzina di album a suo nome. Vi aleggia un descrittivismo molto educato, levigato, senza ...
Continue ReadingSam Anning: Earthen

by Jerome Wilson
Sam Anning spent three years as bassist for Archie Roach, an Indigenous Australian singer-songwriter who championed the rights of that country's Aboriginal people. Roach passed away in 2022 and this album is Anning's tribute to him, a set of original works that carry forth the inner strength and understated force of Roach's music. Anning's compositions are unhurried and contemplative. They resemble classic ECM sounds but with a warmer, more intimate vibe. Throughout the album Andrea Keller's piano leads ...
Continue ReadingVanessa Perica: The Eye is the First Circle

by Angelo Leonardi
Il secondo album della compositrice e bandleader australiana Vanessa Perica, conferma le aspettative suscitate dall'impressionante debutto del 2020 Love Is a Temporary Madness che le ha portato numerosi riconoscimenti in patria e all'estero, con recensioni superlative della massime riviste specializzate. Entro le coordinate espressive del modern mainstream orchestrale, Vanessa mostra una scrittura avvincente, che alterna momenti ritmicamente trascinanti a sequenze d'ampio respiro, timbricamente ricercate. Entro smaglianti orchestrazioni ricche di trascinanti riff, lunghi pedali e scontri di sezioni, i ...
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