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176

Article: Live Review

Live Latin Jazz From New York: The Pedro Giraudo Jazz Orchestra, Emil

Read "Live Latin Jazz From New York: The Pedro Giraudo Jazz Orchestra, Emil" reviewed by Martin Longley

by Martin Longley

The Pedro Giraudo Jazz OrchestraJazz Standard April 21, 2009 The Argentinian bassist and composer Pedro Giraudo is throwing a two-night cd-release party for El Viaje, his fourth album. The first night's opening set has managed to cram the joint completely with a very attentive audience. Of course, they have to be attentive ...

424

Article: Live Review

Live Minimalism From New York: Shoko Nagai/Satoshi Takeishi, Signal, Rhys Chatham, Terry Riley & Glenn Branca

Read "Live Minimalism From New York: Shoko Nagai/Satoshi Takeishi, Signal, Rhys Chatham, Terry Riley & Glenn Branca" reviewed by Martin Longley

by Martin Longley

Shoko Nagai & Satoshi TakeishiThe StoneApril 21, 2009 These Japanese New Yorkers are giving the second performance of Abysm (there was a gig at Roulette in February), an ambitiously intense sequence that revolves around “a tale of a floating world (Ukiyo)," which appears to be the duo's own private land of sonic fantasy. ...

199

Article: Album Review

Tom Hamilton / Bruce Eisenbeil: Shadow Machine

Read "Shadow Machine" reviewed by Martin Longley

by Martin Longley

Hazily speaking, electronicist Tom Hamilton emerges from a modern classical realm, while guitarist Bruce Eisenbeil inhabits the jazz improvising zone. On this album, such stylistic concerns are very nearly unimportant, as the pair are engaging in their own language of free improvisation. There's more space in this music, although Hamilton and Eisenbeil never cut back on ...

538

Article: Record Label Profile

MoonJune Records

Read "MoonJune Records" reviewed by Martin Longley

by Martin Longley

Leonardo Pavkovic is a looming presence on the ever-expanding scene of polynational, polymusical globe-gobbling. Some might deem his MoonJune Records operation a special home for European prog rock, but this is only one aspect of its makeup. “MoonJune is a label for progressive music," he announces, holding court, at an Egyptian kebab cafe in Astoria. “Whatever ...

619

Article: Live Review

Four Chicagoans Stir Up Musical Turbulence in NYC: Anthony Braxton, Roscoe Mitchell, Ken Vandermark and Jack DeJohnette

Read "Four Chicagoans Stir Up Musical Turbulence in NYC: Anthony Braxton, Roscoe Mitchell, Ken Vandermark and Jack DeJohnette" reviewed by Martin Longley

by Martin Longley

Anthony Braxton & The Walter Thompson Orchestra Irondale CenterApril 16, 2009 The Irondale Center is a new arts space in the general locale of BAM (Brooklyn Academy Of Music) and represents the first stage in the Cultural District plan dreamed up by its president Harvey Lichtenstein. Indeed, at present, the quaint ...

416

Article: Extended Analysis

Fast 'n' Bulbous: Waxed Oop

Read "Fast 'n' Bulbous: Waxed Oop" reviewed by Martin Longley

by Martin Longley

Fast 'n' Bulbous Waxed Oop Cuneiform 2009 Many people would agree with alto saxophonist Phillip Johnston's assertion that Don Van Vliet (aka Captain Beefheart) was one of the twentieth century's very greatest composers. He was also one of its key innovators, conceptualists, singers and poets. When an artist ...

250

Article: Album Review

Reut Regev: This Is R*Time

Read "This Is R*Time" reviewed by Martin Longley

by Martin Longley

Trombonist Reut Regev moved to New York City from Israel in 1998, and soon began working with Anthony Braxton, Frank London and Butch Morris. Her newest band is R*Time, a quartet that concentrates almost entirely on her original material. She is joined by drummer Igal Foni, bassist Brad Jones and guitarist David Phelps, the latter employing ...

579

Article: Live From New York

John Zorn, Cindy Blackman, Dhafer Youssef, Jon Hassell, The Necks & Kenny Werner

Read "John Zorn, Cindy Blackman, Dhafer Youssef, Jon Hassell, The Necks & Kenny Werner" reviewed by Martin Longley

by Martin Longley

John Zorn Abrons Arts Center February 7, 2009 This is getting to be a habit, as composer and alto saxophonist John Zorn erects his tent at the Abrons Arts Center once more, for two weekend shows, both of them merging older material with fresh compositions, presented by two of his ...

248

Article: Album Review

Mike Osborne: Force Of Nature

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by Martin Longley

Late English alto saxophonist Mike Osborne, whose work represented the pinnacle of British avant jazz, sadly retired back in 1982 as a result of mental health problems. The discovery of previously unheard material is therefore particularly exciting, especially when its standard is high enough to preserve the reedman's best playing form. This disc ...

216

Article: Album Review

Totem: Solar Forge

Read "Solar Forge" reviewed by Martin Longley

by Martin Longley

This is one of New York's most exciting improvising combos, but the Totem trio tends to ration out its gigs, rarely playing in the area. Thus, their Brooklyn-recorded disc, Solar Forgeis recommended. Even though no performance will be alike, it's a reasonable guide to the trio's general sound and strategy. Bruce Eisenbeil's guitar ...


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