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Gianluigi Trovesi: Vaghissimo Ritratto

by Martin Gladu
Bergamo-born clarinetist Gianluigi Trovesi's Vaghissimo Ritratto is a celebration. His sumptuous chamber trio with pianist Umberto Petrin and electronic/acoustic percussionist Fulvio Maras celebrates the vague impression time-tested melodies create when breathed new life through collective improvisation. In his ever-perceptive liner notes, writer/producer Steve Lake remarks; [it] is a journey through melody, one that encompasses centuries, from ...
Jeff Gardner: Alchemy

by Martin Gladu
The alchemists' esoteric quest of transforming the mundane into the precious and pure, literally such as transmuting base metals into gold, but also figuratively, applies to art and artists as well. For their part, jazz musicians extricate vibrations from instruments to translate feelings and touch peoples' souls. Maybe inspired by the nobler aspirations of the age ...
Stockton Helbing: For Nothing Is Secret

by Martin Gladu
Stockton Helbing's stock is rising. In his second solo effort, For Nothing Is Secret, the Texas-based drummer has not only a recording with pizzazz, but the making of an exciting and crowd-pleasing festival touring unit. As the album's title suggests, his music should not remain secret for long. Trumpeter Maynard Ferguson recognized Helbing's talent ...
John Abercrombie Quartet: The Third Quartet

by Martin Gladu
John Abercrombie may well become the most recorded guitarist in jazz history--his discography being rather generous, to say the least. His collaboration with ECM spans three decades and counts over twenty solo albums with diverse formations and line-ups. Of those, the trios with organist Dan Wall and drummer Alan Nussbaum as well as Gateway (with drummer ...
Horizons Touched: The Music Of ECM

by Martin Gladu
Horizons Touched: The Music Of ECM Edited by Steve Lake and Paul Griffiths Granta Books ISBN 978-1862078802 2007 ECM: three simple letters that convey much. Indeed, so strong is founder and main producer Manfred Eicher's dialectic of sound and image that unified, holistic reactions/representations are spontaneously triggered in ...
Anat Fort: A Long Story

by Martin Gladu
Notes twirl with thrilling beauty in Anat Fort's hands. Infused of the free jazz and 20th Century classical music aesthetics (especially the Second Viennese school), A Long Story, her first effort for ECM, successfully captures a talent of rare profundity and breadth. Her innate sense of textures, as well as her free-flowing lines and dramatic use ...
Miles Davis Quintet: Cookin'

by Martin Gladu
Miles Davis dared to be different. Staying true to his lifelong pugilistic passion/inspiration, he shook the jazz world many times throughout his career. To many he is remembered as the Prince Of Darkness, the raspy-voiced and hip-ly dressed maverick that poured out cool licks from his Harmon-muted red trumpet. But, above and beyond his larger-than-life persona ...
Owen Howard: Time Cycles

by Martin Gladu
Rhythm is all, goes one jazz adage. But when drummer/composer/leaders abuse their privilege, their projects often fall short by grabbing knowing listeners with overly technical and acrobatic demonstrations of mere rhythmic savoir faire. When these performances are thoughtfully conceived and rendered with maturity, such recordings have the potential of winning over audiences. In Owen Howard, the ...
Pat Martino: El Hombre

by Martin Gladu
What a journey this hombre has had. The man in question, Italian-American guitarist Pat Martino, as it has been often reported, fought through a series of severe predicaments throughout his career. After undergoing diverse medical treatments, he resiliently baby-stepped his way back in the music business. He has since catered to his creative force and connected ...
Francesco Cafiso Quartet: Happy Time

by Martin Gladu
Many names come to mind as convenient references for precocious jazz talents: Pat Metheny, Brad Mehldau, the Marsalises, Bireli Lagrène, Roy Hargrove, etc. With Happy Time Sicilian-born Francesco Cafiso (born in 1989) earns his place amongst such once-profiled wunderkinds. Having won, among many competitions, the International Massimo Urbani Award at age eleven and the EuroJazz Competition ...