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Musician

Marshall Gilkes

Born:

Simply considering the range of music that Marshall Gilkes has played over the course of his career, it would be easy to assume that the trombonist/composer is a musical chameleon, able to alter his sound to fit into whatever situation he finds himself. After all, it seems unlikely that an individual sound would be able to express itself in such diverse contexts as the lush impressionism of the Maria Schneider Orchestra; the exotic chamber jazz of Colombian harpist Edmar Castañeda’s trio; or the fiery combustion of New York’s thriving Latin music scene. But listen to the four albums that Gilkes has released under his own name – in particular his latest, a stunning set of compositions for the WDR Big Band named for its home base, Köln – and it immediately becomes clear how the versatile trombonist can integrate myriad influences into a singular and distinctive voice

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Article: Profile

Johnathan Blake: un batterista ai vertici

Read "Johnathan Blake: un batterista ai vertici" reviewed by Angelo Leonardi


Accolto tra i lavori migliori dell'anno dalle massime riviste internazionali Homeward Bound, è il quarto disco di Johnathan Blake e il debutto con l'etichetta Blue Note. L'album ha finalmente evidenziato le doti di compositore e leader del 45enne batterista di Philadelphia, figlio del violinista John Blake Jr., noto partner di McCoy Tyner, Archie Shepp, James Newton, ...

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Article: Radio & Podcasts

Happy Birthday, Cole Porter

Read "Happy Birthday, Cole Porter" reviewed by Russell Perry


We are celebrating Cole Porter's 130th birthday—born June 9, 1891, This means that Porter was 27 years old, having already had shows produced on Broadway, when the first jazz recording was made in 1917. Early recordings by James P. Johnson, Jimmie Lunceford, Teddy Wilson and Django Reinhardt showed the adaptability of his compositions to the jazz ...

Album

Data Lords

Label: ArtistShare
Released: 2020
Track listing: CD 1: A World Lost; Don’t Be Evil; CQ CQ, Is Anybody There?; Sputnik; Data Lords. CD 2: Sanzenin; Stone Song; Look Up; Braided Together; Bluebird; The Sun Waited for Me.

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Article: Interview

Maria Schneider: On Worlds Diverged

Read "Maria Schneider: On Worlds Diverged" reviewed by Dan Bilawsky


We stand today at an intersection between two realities. On one side there's digital darkness—an underbelly of networked netherworlds, profiteers building fortunes on the collective back of musicians, sinister forces posing as corporate protagonists—and on the other, pure light given over through nature's gifts, a kindness and humanity that grace daily existence, and the beauty and ...

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Article: Album Review

Maria Schneider: Data Lords

Read "Data Lords" reviewed by Doug Hall


Maria Schneider, jazz pianist, orchestral composer and 2019 NEA Jazz Master, has just released a new double-album, Data Lords (artistShare, 2020), which creates poignant musical imagery about our data-driven world. Schneider, who has been an active advocate for musicians' rights and copyright, has followed-on this impact, citing “big data" companies as manipulators of music, culture and ...

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Article: Album Review

Maria Schneider Orchestra: Data Lords

Read "Data Lords" reviewed by Karl Ackermann


The skillfully designed cover art tells part of the story; a leaf--half as nature intended--the remainder, a circuit board doppelganger. The pastoral soundscapes associated with the music of Grammy-winning composer/bandleader Maria Schneider belie her activist alter-ego. An outspoken critic of copyright protections, prejudicial revenue schemes and the abuses of “big data," Schneider has authored op-eds and ...

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Article: Album Review

Samuel Torres: Alegria

Read "Alegria" reviewed by Dan Bilawsky


After delivering a politically-pointed statement in the form of Forced Displacement (Zoho Music, 2015), Colombian percussionist Samuel Torres most certainly could've doubled-down in that direction. There's no shortage of political turmoil across the globe these days, so that move would've been completely understandable. But, as Torres clearly understands, there's something to be said for the power ...

Article: Album Review

Carlos Henriquez: Dizzy Con Clave

Read "Dizzy Con Clave" reviewed by Angelo Leonardi


Anche se l'incontro tra jazz e ritmi caraibici è presente fin dagli albori è stato Dizzy Gillespie negli anni quaranta a dare identità e popolarità al genere Afro-Cubano, integrando nel be-bop le musiche Mario Bauza e Machito. Questo tributo alle musiche del grande trombettista è stato inciso nel 2017, anno in cui s'è celebrato il Dizzy ...

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Article: Live Review

Charlotte Jazz Festival 2019

Read "Charlotte Jazz Festival 2019" reviewed by Perry Tannenbaum


Patina Miller, The Jazz at Lincoln Center Orchestra, The Future of Jazz Orchestra, Maria Muldaur, Carlos Henriquez, Paul Nedzela, and Donna Hopkins Charlotte Jazz Festival Charlotte, NC May 1-4, 2019 Presented by the Leon Levine Foundation and staged by Blumenthal Performing Arts, the Charlotte Jazz Festival is continuing to grow incrementally ...


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