Jazz Articles about Marshall Gilkes

About Marshall Gilkes

Album Review

Carlos Henriquez: Monk Con Clave

Read "Monk Con Clave" reviewed by Pierre Giroux

by Pierre Giroux
June 6, 2026

Carlos Henriquez has long understood that rhythm tells stories long before words arrive. On Monk Con Clave, he takes Thelonious Monk's angular brilliance and brings it back to the streets, dance halls, and other crowded spaces across New York's Afro-Caribbean neighbourhoods. The result is not merely a tribute album but a living dialogue between Monk's genius and Henriquez's Nuyorican identity. Leading his self-named big band, Henriquez has assembled a remarkable multigenerational ensemble featuring musicians from the Jazz at ...

Album Review

Maria Schneider Orchestra: American Crow

Read "American Crow" reviewed by Dan McClenaghan

by Dan McClenaghan
March 24, 2026

Maria Schneider has a thing for birds. Credible sources have reported sightings of the jazz composer frequenting Central Park wearing a floppy hat, a pair of binoculars hanging from her neck. Her 20-plus minute “Cerulean Skies," from her album (one of her masterpieces) Sky Blue (ArtistShare, 2007) speaks to her love for birds; her fascination with their migratory nature and their arduous flights, which span continents and beyond. The composition “Bluebird," from the “Our Natural World"' half of her 2-disc ...

Album Review

Ryan Truesdell: Shades of Sound

Read "Shades of Sound" reviewed by Angelo Leonardi

by Angelo Leonardi
June 2, 2025

Shades of Sound costituisce il secondo volume del Gil Evans Project di Ryan Truesdell, inciso dal vivo al Jazz Standard di New York. Data d'incisione e organico sono gli stessi di Lines of Color, il primo volume registrato dal 13 al 18 maggio 2014 con una formazione di 23 musicisti più il leader, scelti tra i solisti più brillanti di New York: i sassofonisti Donny McCaslin, Dave Pietro, Steve Wilson, i trombettisti Mat Jodrell e Greg Gisbert, i trombonisti Ryan ...

Album Review

Ryan Truesdell / Gil Evans Project: Shades Of Sound

Read "Shades Of Sound" reviewed by Jack Kenny

by Jack Kenny
May 30, 2025

Shades of Sound is not about Ryan Truesdell recreating the past. There are excellent reasons to listen to recreations of the music of Gil Evans. As critic Bill Mathieu wrote of Evans, “The mind reels at the intricacy of his orchestral and developmental techniques. His scores are so careful, so formally well-constructed, so mindful of tradition that you feel the originals should be preserved under glass in a Florentine museum" (Mathieu in Max Harrison, Jazz Profiles, 2011). Evans ...

Album Review

Ryan Truesdell: Shades Of Sound

Read "Shades Of Sound" reviewed by Pierre Giroux

by Pierre Giroux
May 22, 2025

Ryan Truesdell's Shades of Sounds: Gil Evans Project Live at Jazz Standard Vol. 2 is a triumphant continuation of his lovingly curated Gil Evans Project--a musical venture focusing on both preservation and revelation. With this latest volume, Truesdell guides us through Evans' well-known sonic landscape and deeper into the vaults, unearthing four never-before-recorded arrangements that offer a renewed understanding of the composer's nuanced brilliance. Truesdell's decision to record live at Jazz Standard is both philosophical and ...

Album Review

Sergio Pamies: Time to Say

Read "Time to Say" reviewed by Jack Bowers

by Jack Bowers
March 21, 2025

Spanish themes and rhythms reign supreme on Time to Say, Granada-born composer, arranger and pianist Sergio Pamies' fourth album, one that is enhanced on its opening and closing numbers, respectively, by the presence of renowned woodwind artists Dave Liebman and Paquito D'Rivera. Not that Pamies' septet needs much help, as everyone is laser-focused and totally in sync. At the same time, Pamies, trumpeter Alex Norris, trombonist Marshall Gilkes and saxophonist Michael Thomas (on alto or soprano) are ...

Liner Notes

Marshall Gilkes: LifeSongs

by Dan Bilawsky
July 10, 2024

A sojourn in the city of Cologne is akin to a homecoming for Marshall Gilkes. The lauded trombonist spent four memorable years in that cultural hub beside the Rhine, making his mark within the ranks of the WDR Big Band's brass section, and his departure in December of 2013 did nothing to dampen his love for the region and the tremendous fellow feeling binding him to his colleagues. Illustrating this point, one month later Gilkes returned for a proper farewell ...