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Marshall Gilkes

Over the course of the past 20 years, Marshall Gilkes has established himself as one of the world’s preeminent trombonists. A nonpareil artist at the forefront of brass playing, his virtuosic command of the instrument, marked by a warm and enveloping tone, Herculean chops, astounding flexibility and awe-inspiring range, place him in a league of his own. 

With an incredible work ethic focused and shaped through his Juilliard training, Gilkes quickly became a force to be reckoned with, earning serious praise when he arrived on the scene near the dawn of the millennium. His debut leader date—2004’s Edenderry--was an instant head-turner, presenting ear-catching compositions showcasing dexterous slide work and an appreciation for high-level interplay. Released on the heels of his appearance as a finalist in the 2003 Thelonious Monk Institute International Trombone Competition, it served as a clear indicator of Gilkes’ emerging artistry. Broadening the scope of his imagination, he then looked toward the quintet format for 2008’s Lost Words and 2012’s Sound Stories. Underscoring Gilkes’ many and varied strengths on trombone, each of those releases also highlighted his work as a composer. But it was a pair of albums with 

 Germany’s WDR Big Band—an outgrowth of the trombonist’s four-year tenure with that ensemble (from 2010 to 2014)—that took things to the next level. 2015’s Köln, offering a 360-degree look at Gilkes as a writer, arranger, conductor and soloist, was a triumph of epic proportions, earning rave reviews and a pair of Grammy nominations. An equally impressive follow-up—2018’s Always Forward—served as a compelling companion piece, cementing his status as one of the great big band composers of the modern era.With Gilkes’ two most recent outings—2020’s Waiting to Continue and 2022’s Cyclic Journey—he furthered his unique musical outlook while fulfilling long-held ambitions of two very different sorts: The former, recorded when studios first reopened shortly after the peak of the COVID-19 pandemic, finds him at the height of his powers, leading a piano-less trio; and the latter, uniting an all-star brass octet with a blue-chip jazz combo to present an original suite built to represent daily life in all its grounding glory, speaks to a boundless artistry.

​Through those seven albums, Gilkes has carved out his place as a leader of note. And with his work as a first-call sideman, in parallel to those efforts, he’s demonstrated incomparable might and adaptability. Gilkes has made his mark performing and/or recording with bassist Carlos Henriquez, harpist Edmar Castañeda, the New York Philharmonic, the Brass Band of Battle Creek, Vanguard Jazz Orchestra, Slide Monsters, bassist Richard Bona, pianist Makoto Ozone and numerous other top-tier musicians and outfits.

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Album Review
Album Review
  • Koln by Jack Bowers
Year in Review
Radio & Podcasts
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Jim Lutz
Nate Petersen
trombone, bass




Recordings: As Leader | As Sideperson

Life Songs

Alternate Side Records


Open City

Self Produced


Cyclic Journey

Self Produced


Data Lords



Always Forward

Alternate Side Records


Mercy, Mercy, Mercy feat. Jeremy Pelt

From: From a Familiar Place
By Marshall Gilkes



Joe Lovano
Maria Schneider
composer / conductor
Donny McCaslin
saxophone, tenor
Gordon Goodwin
composer / conductor
Vanguard Jazz Orchestra
band / ensemble / orchestra
band / ensemble / orchestra

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