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Results for "Mark Guiliana"
Freihofer's Saratoga Jazz Festival, Saratoga Springs, NY, June 29-30, 2013
by R.J. DeLuke
Saratoga Performing Arts CenterFreihofer's Saratoga Jazz FestivalSaratoga Springs, NYJune 29-30, 2013 Fiery music that burned with intensity, eclectic compositions that shifted in time signature and tempo, sweet melodies and down-home dirty blues--all were heard at this year's Freihofer's Saratoga Jazz Festival in upstate New York, an event that is among the ...
2013 Montreal Jazz Festival: June 28-July 2, 2013
by John Kelman
Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...
ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013
by John Kelman
ELBJazz FestivalHamburg, GermanyMay 24-25, 2013Attending a multitude of festivals each year, there's always the challenge of finding the hook--the thing that makes a festival different from any other. When it comes to Hamburg's ELBJazz Festival, now only in its fourth year, it's easy. A harbor town on the Elbe River, located just 70 ...
Vossa Jazz 2013
by John Kelman
Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...
Lionel Loueke: Creating His Own Lines
by R.J. DeLuke
Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...
Sean Wayland: Click Track Jazz: Slave to the Machine Vols 1 & 2
by AAJ Italy Staff
I due volumi di Click Track Jazz: Slave to The Machine curati dal tastierista e compositore australiano Sean Wayland, contengono una ricognizione molto ampia - per un totale di venisette brani - sulla possiblità di unire degli inserti sintetici alle classiche sonorità acustiche del jazz, sviluppati dalle tastiere o da strumenti elettronici come l'EWI ("Electronic Wind ...
Donny McCaslin: Lightness and Gravity
by Jeff Dayton-Johnson
Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, ...
Donny McCaslin: Casting For Gravity
by Glenn Astarita
Incorporating electronic instrumentation into his palette, tenor saxophonist Donny McCaslin dishes out a thrusting program that could, to some extent, be nestled within the jazz-fusion genre, but not in the traditional sense. The hard-hitting saxophonist and his band integrate fusion mechanics and spacey treatments to underscore many of the popping grooves, thundering pulses, knotty time signatures ...
Donny McCaslin: Casting For Gravity
by Jeff Dayton-Johnson
Tenor saxophonist Donny McCaslin has bravely developed a uniquely personal sound that proudly claims its heritage in the long mainstream of jazz, yet sounds freshly innovative. He has released eleven albums under his leadership, among which Recommended Tools (Greenleaf, 2008), with its punishing, revealing trio format, was a high-water mark. McCaslin deploys sheets-of-sound density inherited from ...
Donny McCaslin: Casting For Gravity
by Mark Corroto
If saxophonist Donny McCaslin stuck a toe into the ocean of electric jazz with his previous album Perpetual Motion (Greenleaf, 2010), then with Casting For Gravity he dives headfirst into the sea. But don't worry, with his musical dexterity and adeptness on horn, he is in no danger of sinking. In fact, he takes to these ...
