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12

Article: Live Review

2013 Montreal Jazz Festival: June 28-July 2, 2013

Read "2013 Montreal Jazz Festival: June 28-July 2, 2013" reviewed by John Kelman


Festival International de Jazz de MontréalMontréal, CanadaJune 28-July 7, 2013After taking a year off to curate an All About Jazz Presents: Doing It Norway at Norway's 2012 Kongsberg Jazz Festival, it was great to return to the city that hosts what must surely be the largest jazz festival in the world. Where else ...

7

Article: Live Review

ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013

Read "ELBJazz Festival 2013: Hamburg, Germany, May 24-25, 2013" reviewed by John Kelman


ELBJazz FestivalHamburg, GermanyMay 24-25, 2013Attending a multitude of festivals each year, there's always the challenge of finding the hook--the thing that makes a festival different from any other. When it comes to Hamburg's ELBJazz Festival, now only in its fourth year, it's easy. A harbor town on the Elbe River, located just 70 ...

9

Article: Live Review

Vossa Jazz 2013

Read "Vossa Jazz 2013" reviewed by John Kelman


Vossa JazzOslo, NorwayMarch 22-24, 2013Every festival hopes to have a signature, that certain something that differentiates it from all the rest and makes it a desired destination, but few have as many things going for it as the annual Vossa Jazz Festival, now in its 40th year. It certainly may seem ...

8

Article: Interview

Lionel Loueke: Creating His Own Lines

Read "Lionel Loueke: Creating His Own Lines" reviewed by R.J. DeLuke


Lionel Loueke, the guitarist from Benin in West Africa who brings to jazz music rich melodic and rhythmic sensibilities influenced from his homeland, always had an eye for inventing his own lines; injecting his own persona into the music even when it was against the rules. Even when he didn't yet realize the magical sounds he ...

Article: Album Review

Sean Wayland: Click Track Jazz: Slave to the Machine Vols 1 & 2

Read "Click Track Jazz: Slave to the Machine Vols 1 & 2" reviewed by AAJ Italy Staff


I due volumi di Click Track Jazz: Slave to The Machine curati dal tastierista e compositore australiano Sean Wayland, contengono una ricognizione molto ampia - per un totale di venisette brani - sulla possiblità di unire degli inserti sintetici alle classiche sonorità acustiche del jazz, sviluppati dalle tastiere o da strumenti elettronici come l'EWI ("Electronic Wind ...

6

Article: Interview

Donny McCaslin: Lightness and Gravity

Read "Donny McCaslin: Lightness and Gravity" reviewed by Jeff Dayton-Johnson


Saxophonist Donny McCaslin seems like a young player, given his energy and inventiveness. But he has been playing jazz for three decades. As a child, he was part of his father's jazz ensemble and a member of his high school jazz band. He led his own bands after moving to New York from his native California, ...

9

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Glenn Astarita


Incorporating electronic instrumentation into his palette, tenor saxophonist Donny McCaslin dishes out a thrusting program that could, to some extent, be nestled within the jazz-fusion genre, but not in the traditional sense. The hard-hitting saxophonist and his band integrate fusion mechanics and spacey treatments to underscore many of the popping grooves, thundering pulses, knotty time signatures ...

5

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Jeff Dayton-Johnson


Tenor saxophonist Donny McCaslin has bravely developed a uniquely personal sound that proudly claims its heritage in the long mainstream of jazz, yet sounds freshly innovative. He has released eleven albums under his leadership, among which Recommended Tools (Greenleaf, 2008), with its punishing, revealing trio format, was a high-water mark. McCaslin deploys sheets-of-sound density inherited from ...

5

Article: Album Review

Donny McCaslin: Casting For Gravity

Read "Casting For Gravity" reviewed by Mark Corroto


If saxophonist Donny McCaslin stuck a toe into the ocean of electric jazz with his previous album Perpetual Motion (Greenleaf, 2010), then with Casting For Gravity he dives headfirst into the sea. But don't worry, with his musical dexterity and adeptness on horn, he is in no danger of sinking. In fact, he takes to these ...

2

Article: Album Review

Lionel Loueke: Heritage

Read "Heritage" reviewed by Ernest Barteldes


On Heritage, Benin-born Lionel Loueke takes a more electric approach than on previous releases, which mostly featured his acoustic, nylon-string guitar. This change is immediately felt on the opening “Ifê," beginning with the muted notes of an acoustic steel-stringed guitar whose sound resembles a kalimba (thumb piano). Loueke is backed solely by his trio (rounded out ...


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