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256

Article: Album Review

Danny Frankel with Nels Cline & Larry Goldings: The Interplanetary Note/Beat Conference

Read "The Interplanetary Note/Beat Conference" reviewed by Mark Corroto

by Mark Corroto

Enough is sometimes enough. Drummer/percussionist Danny Frankel presents a shortish (by modern CD standards), 34-minute collection of 11 compositions on The Interplanetary Note/Beat Conference. Then again, sometimes a sketch can speak louder than an entire painting.Frankel, a consummate player, has been a sideman to the likes of Laurie Anderson, Steven Bernstein, Lou Reed, Robin ...

331

Article: Album Review

Harris Eisenstadt: Canada Day II

Read "Canada Day II" reviewed by Mark Corroto

by Mark Corroto

If you believe most recordings by drummer/composers are positive statements, then Harris Eisenstadt's Canada Day II is more than a glass half full. It is a brimming cup of music. The disc follows 2009's Canada Day, on Portugal's Clean Feed label, with the same lineup. Eisenstadt infuses each recording with a buoyancy and high-spiritedness, ...

144

Article: Album Review

Francois Carrier: Entrance 3

Read "Entrance 3" reviewed by Mark Corroto

by Mark Corroto

Some artists have a way of synthesizing various modes and trends in their craft, so that their art comes off as all-inclusive and incredibly original. Canadian saxophonist François Carrier is one such artist. On Entrance 3, he bridges modern free jazz and mid-1960s post-bop, with guest pianist Bobo Stenson and his working trio of bassist Pierre ...

316

Article: Album Review

Anthony Braxton: Trio & Quintet (Town Hall) 1972

Read "Trio & Quintet (Town Hall) 1972" reviewed by Mark Corroto

by Mark Corroto

Maybe the world wasn't ready for the music of Anthony Braxton back in 1972, when this concert was recorded, and maybe it wasn't ready for him, when it was released twenty years later in 1992. Then again, is it really ready for him today? Certainly, and this music is very accessible. This beautifully remastered ...

191

Article: Album Review

Animation: Asiento

Read "Asiento" reviewed by Mark Corroto

by Mark Corroto

1969 was perhaps a watershed year for jazz in America. Trumpeter Miles Davis, the anointed pied piper, recorded Bitches Brew (Columbia, 1970). It was to be the beginning of jazz/rock fusion. Maybe better described as jazz/rock/soul/funk fusion. Miles wasn't one to miss out on trends. He saw the popularity of Jimi Hendrix and Sly Stone, with ...

221

Article: Multiple Reviews

Duos: When The Sum Is Greater Than Its Parts

Read "Duos: When The Sum Is Greater Than Its Parts" reviewed by Mark Corroto

by Mark Corroto

The defining characteristic of all great partnerships in cinema, from the male-bonding buddy movie to the classic Katherine Hepburn and Spencer Tracy films, is the tension created between two self-assertive characters, before their eventual collaboration. The same can be said of jazz and improvisational duos. By matching two authoritative players, sparks fly and, if the two ...

167

Article: Album Review

Mostly Other People Do the Killing: The Coimbra Concert

Read "The Coimbra Concert" reviewed by Mark Corroto

by Mark Corroto

The stand-up comic begins, “I went to a day of rage riot the other day, and a Moppa Elliott concert broke out." He might continue with, “Take my jazz canon, please." That is just what the bassist's quartet, Mostly Other People Do The Killing, does--seize the jazz standard and demolish it. The Coimbra Concert is the ...

302

Article: Album Review

Endangered Blood: Endangered Blood

Read "Endangered Blood" reviewed by Mark Corroto

by Mark Corroto

Endangered Blood formed in 2008, to play a benefit concert to help pay for fellow musician Andrew D'Angelo's medical bills. For the performance, drummer Jim Black and bassist Trevor Dunn--two of the saxophonist's band mates--enlisted saxophonists Chris Speed and Oscar Noriega. As happens so often in modern groups, familiar players in different combination produce compelling results.

111

Article: Album Review

Nicholas Urie: My Garden

Read "My Garden" reviewed by Mark Corroto

by Mark Corroto

First thoughts of accompanying the poetry of Charles Bukowski to music are predisposed to the techniques of Tom Waits and his post-beatnik circus. Composer/arranger Nicholas Urie takes another path, instead, orchestrating his 12-piece big band towards an alternative rendition and deeper understanding.Like his previous Excerpts From An Online Dating Service (Red Piano, 2009) ,where ...

396

Article: Album Review

Matthew Shipp: The Art Of The Improviser

Read "The Art Of The Improviser" reviewed by Mark Corroto

by Mark Corroto

By now, critical listeners have formed an opinion about the music of pianist Matthew Shipp. Like his musical predecessors Cecil Taylor and Thelonious Monk, Shipp is an uncompromising voice that tends to force listeners to queue up in line, either for him or against him. With the release of The Art Of The Improviser, he has ...


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