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Ken Vandermark's TOPOLOGY Nonet w/Joe McPhee: Impressions Of Po Music
by Mark Corroto
Food scientists know that human taste buds favor three items, sweet, salty and fat. Although abundant today, our prehistoric ancestors scavenged for these scarce commodities. A musical arranger, like a great chef, can serve up delectable music by skillfully combining the three tastes.Our chef, the musical impresario Ken Vandermark, organized this nonet tribute to ...
Taking stock, a year half over
by Mark Corroto
This month, at the halfway point in the year of music, we are taking stock, and there have been so many great discs released. Here is my list (in no particular order) of the best albums so far. I predict many of these will make final top ten 2013 lists. Sorry, I couldn't keep my list ...
Johannes Richter: 13 Pieces
by Mark Corroto
One man, one piano, and no score. That is the protocol for Danish musician Johannes Richter's 13 Pieces, a heartfelt and honest session of instantly composed music. Much like Craig Taborn's Avenging Angel (ECM, 2011), Richter constructs magic from thin air.His approach, like that of Keith Jarrett's early solo work, is scarcely recognizable as ...
Harris Eisenstadt September Trio: The Destructive Element
by Mark Corroto
In a jazz setting, the traditional role for a bassist is to keep time, and in effect be the glue that holds a composition--and essentially the jazz unit--together. Maybe that is the reason is why drummer Harris Eisenstadt chose to construct his September Trio sans bassist. Aptly named, The Destructive Element follows the September Trio of ...
Jonathan Finlayson: Moment and the Message
by Mark Corroto
The final scene from the 1998 cult classic movie, The Big Lebowski, has the cowboy narrator telling the audience: “Then, I happen to know that there's a little Lebowski on the way. I guess that's the way the whole durned human comedy keeps perpetuatin' itself, down through the generations, westward the wagons, across the sands a ...
Petr Cancura: Down Home
by Mark Corroto
Once jazz migrated from New Orleans and the Deep South to Chicago and New York, a favorite put-down for those making music that wasn't urban, cool or modern was to call the musicians “country." It was as if all things of jazz consequence outside of urban centers was required to be imported from said cities.
Keith Tippett/ Giovanni Maier: Two For Joyce
by Mark Corroto
Two For Joyce, that's James Joyce the title is referring to. And the 'Two' is a reference to the two musicians, pianist Keith Tippett and bassist Giovanni Maier, because Two For Joyce is one long (50 minute) improvised recorded live performance.Captured May 2012, during the “Le Nuove Rotte del Jazz" (New Routes in Jazz) ...
Anna Webber: Percussive Mechanics
by Mark Corroto
First she was a flutist, then a saxophonist, now an outstanding jazz and new music composer. Canada's Anna Webber follows up her debut, Third Floor People (Nowt Records, 2010), with Percussive Mechanics, a skirmish between contemporary composed music and jazz improvisation.As a player, she has recorded with Stephon Harris's Blackout--Urbanus (Concord, 2009)--and has also ...
François Carrier/ Michel Lambert/ John Edwards/ Steve Beresford: Overground To The Vortex
by Mark Corroto
The adventures of François Carrier continue with Overground To The Vortex. The well-traveled Canadian saxophonist has recorded in Nepal--KATHMANDU (FMR, 2008), St. Petersburg, Russia with All Out (FMR, 2011) and In Motion (Leo, 2011), of course Canada Entrance 3 (Ayler, 2011), and this release in Great Britain, where he made his Shores and Ditches (FMR Records,2012).
Frank Rosaly: Cicada Music
by Mark Corroto
What to expect, when you are expecting a drummer-led recording? Certainly, the mix should include the drums more upfront, or perhaps longer solos? If so, then you might be taken aback by Frank Rosaly's first official release as a band leader. The cornerstone of many innovative bands like Jason Stein Quartet, Valentine Trio, Rolldown, Scorch Trio, ...
