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John Russell / Ståle Liavik Solberg: No Step
by Mark Corroto
Like a pair of jugglers, free improvising musicians John Russell and Ståle Liavik Solberg excel at keeping multiple objects in the air and in constant motion. No Step is a brief recording from May 2013, and although clocking in at just 33-minutes, the session leaves the impression these two connect with each other at multiple junctures. ...
Akira Sakata & Giovanni Di Domenico: Iruman
by Mark Corroto
Surprisingly, Iruman is saxophonist Akira Sakata's first piano duo recording in his forty-plus year career. The question this disc raises is not why did it take him so long to record in this format, but could another duo performance eclipse this one? Sakata has been flag bearer of the Japanese free jazz movement since ...
Louise Dam Eckardt Jensen: Farvefisen Blomstrer
by Mark Corroto
The band Sweet Banditry asks the musical question, “if a post-punk jazz band sings in Danish, does the sound still scare you?" The answer is definitely, yes! Saxophonist Louise Dam Eckardt Jensen of The Slow Food Cook Book, Louie's Spaced-Out Ensemble, and the duos Herbert Eckardt with percussionist Luca Marin and Seiki with drummer Andreas Pichler, ...
Invisible Astro Healing Rhythm Quartet: Invisible Astro Healing Rhythm Quartet
by Mark Corroto
While the tagline 'Miles Smiles' is more befitting Miles Davis' second great quintet, it is an apt reference to this recording by the Invisible Astro Healing Rhythm Quartet (IAHRQ), who draw not so much from the Columbia recordings by Miles Davis E.S.P> (1965), Sorcerer (1967), or Nefertiti (1968) but from the great electricity of Live-Evil (1971) ...
Fred Van Hove/ Shih-Yang Lee: Galactic Alignment
by Mark Corroto
Imagine what is was like when man first discovered fire. Fire! How his life changed, his dinner could be cooked, and soon after that (in the history of the universe terms) he was playing video games. Same could be said for the first musician to improvise. Next came New Orleans jazz, which could be documented by ...
Luís Lopes: Noise Solo At ZDB Lisbon
by Mark Corroto
If the feedback and heavy distortion segments of Jimi Hendrix's performance of “The Star Spangled Banner" at Woodstock 1969 were your favorite parts, you might be a noise connoisseur. The art of noise first described by the Italian futurists blossomed in the 1960s and was drawn heavily upon for the DIY and punk revolutions of the ...
Archie Shepp: I Hear A Sound
by Mark Corroto
Lest we forget. And certainly, how could we forget the struggles of the late-sixties and early- 1970s against racism, oppression, the Vietnam War? With the assassinations of JFK, MLK, Malcolm X, and Bobby Kennedy and the counter-culture movement scrambling the American identity, some believed the country was ripe for its own revolution. Music was ...
James Brandon Lewis: Divine Travels
by Mark Corroto
An auspicious major label debut for a young saxophonist, Divine Travels eschews flamboyance for a deferential, mostly unpretentious bluesy free jazz recording. Lewis, a thirty-something tenor saxophone phenom chose to record here in trio without the safety net of a pianist or accompanying horn. He chose wisely though, enlisting two superstars musicians, bassist William ...
Frank Lacy: That Which Is Planted
by Mark Corroto
The real reason the revolution will not be televised (with apologies to Gil Scott Heron) is that the sound of the revolution is free jazz. While those street fighting men are satisfied to throw rock music up against the wall, the real uprising is music of bands like 1032K. With roots in the streets and lofts ...
Pete Mills: The Anatomy Of A Jazz Release
by Mark Corroto
I'm here to tell you that everything you thought about the making of a modern jazz records is wrong. The notion that there are talent agents selling concepts to record companies—wrong. That bands work on tunes, perfecting them for months before entering the studio—wrong. That jazz musicians make money from records—again, wrong. I had ...
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