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AAJ Interviews Some of Today's Most Intrepid Big Band Leaders
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. In the post-World War II era music began to change, ...
Large Ensembles: Is There a Place in This Large Music World?
by R.J. DeLuke
The big band in jazz has a long and glorious history. It was a prevalent form in jazz music in the '20s and '30s, comprising a substantial part of America's popular music heard on radio, spun on gramophones and record players, and enjoyed in dance halls. It gave rise to iconic band leaders like Fletcher Henderson, ...
John Hollenbeck Large Ensemble: Eternal Interlude
by Mark F. Turner
Like fragments of crystal, John Hollenbeck's large ensemble casts angular lines, unusual shapes and refracts music (rather than light) differently than typical jazz big bands. The prolific drummer/composer's progressive slant has been at the core of The Claudia Quintet's For (Cuneiform, 2007) and Semi-Formal (Cuneiform, 2006); music marked by enigmatic ideas of swing, modern chamber music ...
Peter Sommer: Crossroads
by Hrayr Attarian
It takes self-confidence and talent for a new musician to lock horns with a more experienced practitioner of the same instrument, and tenor saxophonist Peter Sommer has plenty of both. His only other recording was a collaborative effort with pianist Art Lande, and this second recording is his first as a leader. On ...
Pete McCann: Extra Mile
by Mark Corroto
Pete McCann may be a kind of a guitar superman, considering his work with bands led by Patti Austin, Lee Konitz, Kenny Wheeler, Dave Liebman, Kenny Garrett, Peter Erskine, Gary Thomas, Greg Osby, Brian Blade and Maria Schneider. Since moving to New York in 1989, McCann has lent his skills to these diverse leaders, ...
Donny McCaslin: Declaration
by Troy Collins
Venturing into unexplored territory, New York-based tenor saxophonist Donny McCaslin's third recording for Sunnyside Records is a marked departure from his previous release, the stripped-down trio session Recommended Tools (Greenleaf, 2008). Augmenting his working ensemble with an understated brass section, Declaration showcases McCaslin's stellar skills as an improviser while demonstrating his mettle as a burgeoning writer ...
Molde Jazz: Day 6, July 18, 2009
by John Kelman
Day 1 | Day 2 | Day 3 | Day 4 | Day 5 | Day 6 Break of Day in Molde / Crimetime Orchestra / Jaga Jazzist / Arve Henriksen Closing ConcertMolde Jazz Molde, Norway July 18, 2009 It's almost impossible to believe, that after the late nights ...
Enja Records
by Donald Elfman
Matthias Winckelmann's favorite recording of the hundreds he's made is the one just finished. Over the years, he's documented music from all over the world and of many different stripes and has always been eloquent and passionate. His label Enja has been in existence for 38 years and a look at the catalogue tells you that ...
TD Canada Trust Toronto Jazz Festival 2009
by Alain Londes
TD Canada Trust Toronto International Jazz Festival Toronto, Ontario, Canada June 26-July 5, 2009 The TD Canada Trust Toronto Jazz Festival enjoyed its 23rd edition this year with a structure similar to that of recent years. The Mainstage concerts in front of City Hall were a nightly focal point as well ...
Resonance Big Band / Sammy Nestico-SWR Big Band / Buselli-Wallarab Jazz Orchestra / Alf Clausen Jazz Orchestra
by Jack Bowers
Resonance Big Band Plays Tribute to Oscar Peterson Resonance Records 2009 First things first: there will never be another Oscar Peterson. Period. Even so, there are others who come remarkably close to retracing his legendary footsteps. Fellow Canadian Oliver Jones is one, Romanian-born Marian Petrescu another. It is ...
