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Article: Album Review

Fabia Mantwill: Em.Perience

Read "Em.Perience" reviewed by Angelo Leonardi


«Non mi interessa in quale stile o genere possa essere classificata questa musica—dice Fabia Mantwill—che sia jazz, classica, folk, canzone d'autore, soul. Penso che i confini stiano diventando sempre più sfocati». Il debutto discografico della giovane bandleader, sassofonista e cantante tedesca contiene elementi di tutti quei generi musicali e non ha alcun senso cercare etichette.

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Article: Album Review

John Daversa Jazz Orchestra: All Without Words: Variations Inspired by Loren

Read "All Without Words: Variations Inspired by Loren" reviewed by Jerome Wilson


Music can be inspired by many things, such as romantic affection, personal experience, world events and social concerns among many others. This extraordinary piece of music was inspired by a parent's love for a child. Trumpeter John Daversa asked his friend, composer Justin Morell, to write a large-scale orchestral piece for him. Morell came ...

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Article: Album Review

Lamb Anderson Sorgen: First Mile

Read "First Mile" reviewed by Mike Jurkovic


You can discredit the human imagination for any number of horrendous things. But when used right, things like First Mile happen. Some odd quirk in the continuum comes along and you find three far-travelled veterans, namely pianist Chuck Lamb (Dry Jack, Brubeck Brothers), drummer Harvey Sorgen (Hot Tuna, Anthony Braxton, Paul Simon, {[Bill Frisell}}) and bassist ...

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Article: Album Review

Remy Le Boeuf: Light as a Word

Read "Light as a Word" reviewed by Jordan Penney


Light as a Word is the debut full-length album from saxophonist and composer Remy Le Boeuf as a leader, and it moves fluidly in liminal spaces. Its format and its performers—a sextet that includes piano, guitar, double bass, drums and tenor and alto sax—are firmly in a jazz idiom. But the songs themselves are more through-composed ...

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Article: Interview

Emiliano Sampaio: Rising Transatlantic Star

Read "Emiliano Sampaio: Rising Transatlantic Star" reviewed by Kurt Ellenberger


In 2013, I was awarded a Fulbright scholarship to teach and to work on a research project at the Kunstuniversität Graz ("University of the Arts in Graz"). I taught a first-year course in jazz theory that was really a delight. These students were already extremely accomplished performers and composers. About half of the class was comprised ...

Article: Album Review

Jihye Lee: Daring Mind

Read "Daring Mind" reviewed by Angelo Leonardi


Solo un talento eccezionale come Jihye Lee poteva ottenere risultati così brillanti e personali nel campo dell'orchestrazione jazz partendo quasi da zero. Nata a Seoul ed emigrata negli Stati Uniti da adolescente, quando s'iscrisse al Berklee College conosceva pochissimo il linguaggio musicale afro-americano e per niente la sua dimensione orchestrale. Dopo un decennio, studi di perfezionamento ...

Article: Multiple Reviews

Michael Thomas: due quartetti in primo piano

Read "Michael Thomas: due quartetti in primo piano" reviewed by Angelo Leonardi


Michael Thomas (da non confondere con Michael J. Thomas, sassofonista d'impronta smooth jazz) è tra i sassofonisti, compositori e leader più inventivi dell'ultima generazione. Residente a New York dal 2011 ha acquisito notorietà tra il pubblico più attento della metropoli per la direzione della Terraza Big Band (condivisa con Edward Perez) con cui ha inciso il ...

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News: Award / Grant

New England Conservatory Alumni Win Grow Your Art Grants During Maria Schneider Residency

New England Conservatory Alumni Win Grow Your Art Grants  During Maria Schneider Residency

New England Conservatory’s Entrepreneurial Musicianship team is proud to announce the winners of this year's Grow Your Art grants. Totaling $13,500 the grants have been awarded to NEC alumni Emily Eng, Darynn Dean, Rafael Natan, and Linda Numagami. They will support a microgrant program for Black, Latinx, and Native American music students; a series of concerts ...

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Article: What is Jazz?

Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music

Read "Ghosts In The Machine, Part 3: Jazz Musicians And Popular Music" reviewed by Kurt Ellenberger


Part 1 | Part 2 | Part 3 | Part 4 | Part 5 Part 3: The GhostsIn a recent essay in Commentary, Terry Teachout, arts and culture critic for the Wall Street Journal, makes an argument for the date on which the jazz era officially ended and the rock/pop era began--May 9, ...

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News: Event

Maria Schneider Works With New England Conservatory Students In Grow Your Art

Maria Schneider  Works With New England Conservatory Students In Grow Your Art

New England Conservatory’s Jazz & Entrepreneurial Musicianship programs present Grow Your Art, a week-long music and business residency with groundbreaking multi- Grammy Award winning composer and bandleader Maria Schneider. The residency will include a pitch night, as well as masterclasses, workshops and panel discussions on the music business and entrepreneurship, culminating in a concert with the ...


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