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Album

Free

Label: Dreyfus Jazz
Released: 2007

Album

Master Of All Trades

Label: Not Two Records
Released: 2006

Album

Silver Rain

Label: Dreyfus Jazz
Released: 2005

Album

Panther/Live

Label: Dreyfus Jazz
Released: 2004

Album

Dreyfus Night in Paris

Label: Dreyfus Records
Released: 2004
Track listing: 1. Tutu (16:36) 2. The King Is Gone (17:19) 3. Looking Up (16:31)

279

Article: Album Review

Miller/Petrucciani/Lagrene/White/Garrett: Dreyfus Night in Paris

Read "Dreyfus Night in Paris" reviewed by AAJ Staff


Nearly a decade after its concert appearance in Paris, this all-star quintet has finally made it onto record. The Dreyfus Night, first convened in Paris in 1993, was in its second reincarnation, and the highlight of five gluttonous hours of music was a star-studded band pulled together by label head Francis Dreyfus. The much-hyped group included ...

315

Article: Album Review

Miller/Petrucciani/Lagr: Dreyfus Night in Paris

Read "Dreyfus Night in Paris" reviewed by Eric J. Iannelli


Dubbed “a 'Massey Hall' for the modern era"—is 1953 really such ancient history?— Dreyfus Night in Paris is actually a performance that took place nearly ten years ago and is only just seeing its release. The “Massey Hall" assertion is debatable given that the musicians here, though excellent, don't exactly match the calibre of Bird (aka ...

Album

Dreyfus Night In Paris

Label: Dreyfus Jazz
Released: 2003

Album

The Ozell Tapes

Label: Telarc Records
Released: 2003
Track listing: CD1: Introduction; Power; So What; Lonnie?s Lament; Cousin John; Scoop; I Loves You Porgy; Panther. CD2: Three Deuces; Your Amazing Grace; Nikki?s Groove; When Your Live WasLow; Burning Down The House; People Make The World Go ?Round; Killing Me Softly; Hannibal/Amandla/Tutu.

180

Article: Album Review

Marcus Miller: The Ozell Tapes

Read "The Ozell Tapes" reviewed by C. Michael Bailey


Marcus Miller is the Paul Chambers of the electric bass. His recordings possess the same bass- leadership as Mr. PC, reflecting the spirit in the title of one of Chambers’ 1950s Blue Note releases, Bass on Top. Miller mixes a potent brew of originals and modern jazz classics to produce a sumptuously funky meal of what ...


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