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Karl Ackermann's Best Creative Music of 2021
by Karl Ackermann
2020 was a disaster and 2021 was less than a beacon of hope. COVID-19 is in the rear-view mirror but closer than it appears. The political clown cars are over capacity, still running on fossil fuel and spilling occupants into the drinking water. That said, jazz and creative music flourished in ways that could make us ...
When Jazz Pops, Part 2
by Ludovico Granvassu
Ornette Coleman playing for Lou Reed? Or the Sun Ra Arkestra together with Steven Bernstein's Sexmob Orchestra backing U2 courtesy of Hal Willner? And Kenny Wheeler collaborating with both David Sylvian and Joni Mitchell? This and many more fascinating collaborations between jazz masters and pop and rock musicians in this playlist.Happy listening!Playlist ...
Gent Jazz 2021
by Martin Longley
Gent Jazz Bijloke, Gent Belgium July 12-18 2021 Last year, the Gent Jazz festival operated with a 400-person audience capacity, and presented a very successful 10-day season, albeit highlighting Belgian acts, and with no lumbering large-fee, big-ticket-sales American bands allowed. The 2021 edition still wasn't able ...
Ches Smith / We All Break: Path of Seven Colors
by Karl Ackermann
For some time, drummer/composer Ches Smith kept his interest in the Voudou music of Haiti at bay. Recognizing himself as an outsider in that world, he researched, listened, studied, and after years brought a project to fruition. Smith's group We All Break released their self-titled, self-produced debut in 2017 and received less attention than deserved. Now ...
Take Five with Matt Clark
by AAJ Staff
Meet Matt Clark I'm a guitarist and composer from Brighton, England. My career has spanned 35 years, encompassing genres as broad as jazz, blues, alternative, experimental, and electronic music. The year of COVID-19 and lockdown has been both testing and inspiring. Lack of live music and in-person collaboration has meant rethinking my musical output. ...
Dave Douglas: Marching Music
by Angelo Leonardi
Gli intenti che stanno alla base del nuovo disco di Dave Douglas e la data di registrazione sono significativi. Come scrive il trombettista nelle note di copertina, il progetto è stato concepito come musica da ascoltare in cuffia durante le manifestazioni di protesta a favore del clima, dei diritti civili e di tutte le altre azioni ...
James Brandon Lewis, Chad Taylor: Live In Willisau
by Vic Albani
Il set finale dell'edizione 2019 del festival di Willisau in Svizzera (uno degli appuntamenti di assoluto riferimento del jazz contemporaneo della stagione festivaliera europea) è tra quelli da ricordare. Ovvio che per far sì che questo accada i protagonisti dello stesso debbano essere “a livello" e se, come in questo caso, si chiamano James Brandon Lewis ...
Francesca Naibo: Namatoulee
by Angelo Leonardi
La lezione di Derek Bailey, volta a estendere la libera ricerca improvvisata sulla chitarra, è stata esemplare ma pochissimi l'hanno seguita. Se negli Stati Uniti spicca Henry Kaiser nel nostro Paese i nomi si contano sulle dita di una mano ed il ricercatore più coerente e implacabile resta Roberto Zorzi. È quindi sorprendente il debutto di ...
Mary Halvorson's Code Girl: Artlessly Falling
by Vic Albani
Esistono due donne nel mondo del jazz moderno che hanno mostrato di conoscere e capire in toto il genio musicale di Robert Wyatt. La prima, molto tempo fa e quindi in tempi non sospetti, è stata Carla Bley e non c'è altro da aggiungere. La seconda, che è invece colei di cui vogliamo scrivere, è Mary ...
Tim Berne: The Deceptive 4—Live
by Mark Corroto
The difference between disc one and disc two of Tim Berne's Snakeoil release The Deceptive 4, two live recordings made eight years apart, might be the same difference between Miles Davis' first and second great quintets. Where Davis' The Legendary Prestige Quintet Sessions (Prestige, 2006) with John Coltrane from 1955-56 are stellar, they lack the complex ...
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