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Craft Recordings Celebrates The Legacy Of Bill Evans With First-Ever Career-Spanning Collection, Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)
Craft Recordings proudly honors the pioneering jazz artist Bill Evans and his enduring musical contributions, with two new titles. The first—a deluxe, five-CD box set and digital album, titled Everybody Still Digs Bill Evans: A Career Retrospective (1956–1980)—marks the first-ever career-spanning collection of music from the pianist, featuring over 60 tracks that spotlight Evans’ exceptional work ...
Gli Unscientific Italians e l'arte della meta-sintesi Friselliana
by Ludovico Granvassu
Se Nanni Moretti fosse nato nel 1973 invece che nel 1953, la famosa scena di Caro Diario che lo vede in sella ad un vespone per le strade vuote di una languida Roma ferragostana avrebbe avuto come colonna sonora la musica di Bill Frisell piuttosto che quella di Keith Jarrett. Perchè ogni epoca viene definita da ...
Bill Evans in Molde, Norway, 1980
On Saturday, August 9, 1980, the Bill Evans Trio was in Norway performing at the Molde Jazz Festival. The trio featured Evans on piano, Marc Johnson on bass and Joe LaBarbera on drums. Five weeks and two days later, Evans would be dead of a peptic ulcer, cirrhosis, bronchial pneumonia and untreated hepatitis—all conditions related to ...
Tenor Titans - More Fabulous Playing From Joe Lovano
by Russell Perry
For almost forty years, as Joe Lovano has been growing as an artist, he has produced a discography as a leader in a wide range of formats from duos and trios to nonets, dectets and large ensembles. Always in demand, his guest appearances on other leaders' dates have produced some of his best work. This is ...
Video: Bill Evans in Barcelona
On November 28, 1979, two days after recording The Paris Concert live at Espace Pierre Cardin in Paris, Bill Evans was in Barcelona with his final trio—bassist Marc Johnson and drummer Joe LaBarbera. There, the trio performed for about 45 minutes at RTVE studios in the Esplugues de Llobregat section of the city. Your eyes don't ...
Bill Evans: Bill Evans Live at Ronnie Scott's
by Pierre Giroux
The emergence of Bill Evans as one of the jazz world's preeminent pianists was propelled by a unmistakeable style: a pensive note striking with harmonic transpositions resulting in unique voicings. This 1968 recording marks the fifth collaboration between Resonance Records and the Bill Evans Estate to bring previously unreleased material into the public domain. This 2xLP ...
Un prezioso inedito: Enrico Pieranunzi, Paul Motian, Marc Johnson
by Paolo Marra
L'etichetta danese Storyville sta per pubblicare un disco dal vivo di Enrico Pieranunzi in trio con Paul Motian e Marc Johnson che documenta una performance tenuta il 2 Dicembre del 1996 alla Jazzhouse di Copenhagen. In occasione della pubblicazione di questa registrazione, rimasta finora inedita, il pianista romano ci ha raccontato la genesi e la successiva ...
Bill Stewart Interview
by Mike Brannon
From the 1995-2003 archive: This article first appeared at All About Jazz in May 2002. Upon joining The John Scofield group in the mid '80s it seemed like drummer Bill Stewart just appeared out of nowhere. They of course did a number of tours and studio dates together while word got around about Stewart's ...
Marcin Wasilewski Trio, Joe Lovano: Arctic Riff
by Thomas Fletcher
The Marcin Wasilewski Trio is amongst the most evident and high-profile jazz groups that roam the Polish scene. Celebrating their twenty-fifth anniversary playing together only last year, the ensemble is widely renowned for challenging the piano trio and broadening its sound. Having collaborated with luminary wind players such as Jan Garbarek, Arthur Blythe and John Surman, ...
Enrico Pieranunzi: From Always to Now
by Paolo Marra
Forty-one years after its original release on a little known but quite active independent label from the '70s, Edi Pan, Alfa Music has recently reissued From Always to Now, one the most important records by pianist and composer Enrico Pieranunzi. From Always to Now represents the high point in the pianist's hard-bop phase, during which Pieranunzi's ...
