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Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five On One

by Dan Bilawsky
The practice of forming super groups in jazz can be fraught with disaster. Festival promoters often try to draw audiences by lumping musicians together in all-star settings, but a lack of chemistry, familiarity, common ground or interest, often turns these events into yawn-inducing bores. All four of these boundaries, thankfully, don't come into play with Contact--the ...
Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five on One

by Dan McClenaghan
The band called Contact is about as all-star an affair as can be found in modern jazz, and it's hard to imagine any serious listener not having a favorite among the players, whether it's saxophonist and renaissance man Dave Liebman, pianist Marc Copland--whose marvelous New York Trio Recordings pushed his profile up closer to where it ...
Contact: Dave Liebman / John Abercrombie / Marc Copland / Drew Gress / Billy Hart: Five on One

by John Kelman
They've played together in various permutations and combinations, but Five on One represents the first time they've joined together as a discrete unit. Reconvening the Second Look (Savoy, 1996) quartet--which comprises four-fifths of Contact-- pianist Marc Copland proved you can go back again with Another Place (Pirouet, 2009). The quartet's bassist, Drew Gress, has also been ...
Bill Carrothers: See the Piano, Play the Piano

by Dan McClenaghan
"I want to keep my fingers in a state of chaos...I try to keep my fingers stupid."----Bill Carrothers, jazz pianist. The quest for chaotic and stupid finger seems an unusual one for a jazz pianist. But then, a conversation with Bill Carrothers reveals an unusual man; one who is to-the-point and forthright ...
The State of The Piano Trio 2010 (Pt.1): Helge Lien Trio and Trichotomy

by C. Michael Bailey
The piano trio is a durable and fertile format for musical expression. It is the jazz equivalent of classical chamber music--that is, music produced by a small number of instruments, small enough to be accommodated in close confines. While the piano trio can come in many flavors, the typical one is piano, bass and drums (aka ...
Bill Carrothers: Joy Spring

by Dan McClenaghan
Pianist Bill Carrothers has narrowed his often expansive focus. Where the marvelous and career-defining Armistice 1918 (Sketch Records, 2004) concerned itself with the scope of World War I, and I Love Paris (Pirouet Records, 2005) explored popular songs from the twenties through the forties, Joy Spring zeros in on a smaller slice of a more recent ...
Daniel Kelly, Gary Peacock & Marc Copland, Allison Miller: Solo, Duo, Trio

by J Hunter
It can be argued that a quartet offers jazz listeners maximum effect with minimal personnel. It allows for two solo voices without compromising the rhythm section, and gives a composer access to a wider range of colors than could be provided by a smaller group. Then again, there are players doing much more with much less. ...
Marc Copland Trio: Cafe Paradiso, Ottawa, Canada

by John Kelman
Marc Copland Trio Café Paradiso Ottawa, Canada February 27, 2010 Running a jazz club in a town where the scene is, in relative terms, marginal at best is a constantly risky proposition, but over the past several years Alex Demianenko's Café Paradiso has become an institution in Ottawa, where ...
Pablo Held: Music

by Dan McClenaghan
German piano prodigy Pablo Held debuted as a leader with Forest of Oblivion (Pirouet Records, 2009), an album of surprising depth, suffused with a romantic European feeling. Subtle and smooth-flowing, it was full of nuance and smoldering interludes that would, at times, burst into roaring percussive flames. Held was only 21 years of age at the ...
Marc Copland: Alone

by Edward Blanco
Pianist Marc Copland goes it Alone with his first solo album on the German Pirouet label and the follow-up to his highly regarded Hatology solo disc, Time Within Time (2005). Alone follows the last of his New York Trio recordings Night Whispers (2009), where the pianist was joined by bassist Drew Gress and drummer Bill Stewart; ...