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40

Article: Interview

Producer Sun Chung: Always Listening for a Story

Read "Producer Sun Chung: Always Listening for a Story" reviewed by Tyran Grillo


On April 28, 2021, a quiet masterpiece marked the end of an era--and the beginning of another. Hanamichi was to be the last studio recording of Japanese pianist Masabumi Kikuchi, who died in 2015, two years after its creation. And yet, while its sweeter overtones struck balance in the bitterness of his absence, the album marked ...

7

Article: Album Review

Yosef Gutman Levitt: Upside Down Mountain

Read "Upside Down Mountain" reviewed by Jerome Wilson


Yosef Gutman Levitt's acoustic bass guitar serves as the lead instrument on this album. The music he plays with his trio here is full of simple melodic beauty and draws from several folk traditions. This work has a sparse, contemplative joy which bears kinship to the recordings of Ralph Towner. Levitt shows an eloquent ...

21

Article: Album Review

Benjamin Lackner: Last Decade

Read "Last Decade" reviewed by Dan McClenaghan


In a 2006 interview for All About Jazz written by Joao Moriera dos Santos, pianist/keyboardist Benjamin Lackner was asked: “What label would you like to be on in the near future?" He said, simply, “ECM." That seemed ambitious for Lackner at that stage of his career. He was 29 years old at the time and boasted ...

30

Article: Interview

Meeco: Keeping It Real

Read "Meeco: Keeping It Real" reviewed by Chris May


The Berlin-based producer and composer Meeco has a niche but devoted following, built up over a series of romantically inclined and elegant albums released between 2009 and 2014. The discs, which have pronounced Latin flavours, are Amargo Mel (Connector, 2009), Perfume E Caricias (Connector, 2010), Beauty Of The Night (Connector, 2012) and Souvenirs Of Love (Double ...

31

Article: Building a Jazz Library

From George Coleman to Meeco: Ten Overlooked Classics

Read "From George Coleman to Meeco: Ten Overlooked Classics" reviewed by Chris May


The only thread running through this installment of Building A Jazz Library is that of unsung quality. No particular artist is spotlighted, nor any particular genre. There are simply ten, randomly selected albums, recorded in the US and Europe between 1953 and 2021, which show jazz off at its finest, but which, for one reason or ...

9

Article: Album Review

Jakob Bro: Uma Elmo

Read "Uma Elmo" reviewed by Mark Sullivan


After a break of a few years, Danish guitarist & composer Jakob Bro returns to ECM Records with a new trio. Bay Of Rainbows (ECM Records, 2018) was a live recording documenting his trio with double bassist Thomas Morgan and drummer Joey Baron, while Returnings (ECM Records, 2018) was a quartet reuniting Bro with Morgan and ...

15

Article: Album Review

Dominik Wania: Lonely Shadows

Read "Lonely Shadows" reviewed by Friedrich Kunzmann


Keith Jarrett's The Köln Concert (1975) may still be regarded as the undisputed milestone in ECM's rich history of solo piano recordings. But that doesn't mean that other landmark albums such as Paul Bley's Open, To Love (1973), Richie Beirach's Hubris (1973) or later releases like Stefano Bollani's Piano Solo (2005) and Marilyn Crispell's Vignettes (2007)—among ...

9

Article: Album Review

Arne Torvik: Northwestern Songs

Read "Northwestern Songs" reviewed by Friedrich Kunzmann


A vibrant modern jazz hub, Norway is famous for having introduced the likes of Jan Garbarek, Terje Rypdal, Jon Christensen and Arild Andersen to the international jazz landscape--all of whom had brought something fundamentally new to the jazz tradition in the '70s. As chance would have it, each of the mentioned heavyweights were also mainly at ...

10

Article: Album Review

Nik Bartsch: Entendre

Read "Entendre" reviewed by Chris May


Back in 2006, Swiss composer and keyboard player Nik Bärtsch's ECM debut, Stoa, recorded with his group Ronin, sounded like the album James Brown might have made if he'd appointed Steve Reich musical director of his backing band, The J.B.'s. Simultaneously cerebral and on the good foot, it was minimalism, Jim, but not as we knew ...

11

Article: Album Review

Keith Jarrett: Budapest Concert

Read "Budapest Concert" reviewed by Scott Gudell


Keith Jarrett has always chosen wisely. Early on, the pianist partnered with musicians who helped shape the transition of jazz from the classic cool sounds of the 1950s though the more aggressive fusion period of the late 1960s and early 1970s. In the early 1970s, Jarrett began a high wire act of recording and releasing a ...


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