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Veronica Swift: Confessions
by Chris Mosey
Times change. In the Me Too era it is clearly politically incorrect for a female singer to sidle up to the microphone and huskily breathe “My Heart Belongs To Daddy" like Julie London used to do. Or even, for that matter, to lustily proclaim “Diamonds are a Girl's Best Friend" like Marilyn Monroe. But a residue ...
Jesse Palter: Paper Trail
by Chris Mosey
Carole King and her then husband Gerry Goffin once wrote a song titled “Will You Still Love Me Tomorrow?" It was condemned in some quarters as being likely to encourage promiscuity and this gave King and Goffin a certain cachet. The song was originally recorded in 1960 by the African American girl group The Shirelles and ...
Herlin Riley: Perpetual Optimism
by Chris Mosey
Herlin Riley, a drummer from New Orleans, is a member of the Lincoln Center Jazz Orchestra, led by Wynton Marsalis. Indeed, he played a large part in developing the drum parts for the Pulitzer Prize-winning album by Marsalis, Blood on the Fields (Columbia, 1997). On his own album, Riley leads a mainstream quintet ...
Joey DeFrancesco: In The Key Of The Universe
by Doug Collette
Joey DeFrancesco has stretched himself regularly throughout the course of thirty-plus albums. Just since Project Freedom (Mack Avenue, 2017) he's collaborated very productively for two albums with the Irish soulman Van Morrison--You're Driving Me Crazy (Sony Legacy, 2018) and The Prophet Speaks (Caroline, 2018). And, on In The Key of the Universe, the organist/trumpeter reaffirms his ...
Julian Lage: Love Hurts
by Doug Collette
By the release of Modern Lore (Mack Avenue, 2018), Julian Lage had fully established his very own style of modern jazz, one arising directly from his approach to the electric guitar. Justifiably proud of what he's accomplished to date, yet not content to rest on his laurels, Lage stretches himself on Love Hurts, simultaneously freshening the ...
Julian Lage: Love Hurts
by Chris Mosey
Julian Lage is a tremendously talented acoustic guitarist and by all accounts a polite, mild mannered kind of guy. Though this might not be the whole story. The cover picture of his album is of twenty used matches, which is thought to refer to his worries of becoming burnt-out after being hailed as a child prodigy ...
Julian Lage: Love Hurts
by Mario Calvitti
A un anno esatto di distanza dal precedente Modern Lore arriva il nuovo lavoro di Julian Lage, ex enfant prodige della chitarra, che a soli 31 anni può già permettersi di festeggiare quest'anno i 20 anni trascorsi dalla sua prima incisione professionale (un duetto con il mandolinista bluegrass David Grisman nell'album Dawg Duets). Nel frattempo non ...
Joey DeFrancesco: In The Key Of The Universe
by Chris Mosey
This is an important, even historic album. It marks--unannounced--the return of a great figure of the free jazz era, Pharoah Sanders. Saxophonist Albert Ayler once famously declared, “Trane was the Father, Pharoah was the Son, I am the Holy Ghost." Hammond organist Joey DeFrancesco has orchestrated Sanders' return from oblivion. Without it, the ...
Alfredo Rodriguez: Duologue
by Chris Mosey
Alfredo Rodriguez is the classically trained son of Cuban singer/composer “Alfredito" Rodriguez. In 2009, he accompanied his father on a concert tour of Mexico, decided not to return to his homeland, and asked for political asylum in the U.S. Once there, he began a music career aided by veteran producer Quincy Jones. In 2015, he won ...
Cyrille Aimee: Move On - A Sondheim Adventure
by Chris Mosey
Cyrille Aimée's latest album may come as a shock to fans of the French vocalist. Gone is the light, bubbly approach that has been her hallmark. Aimée is now a “musical interpreter," no less, and is devoting a whole album to the late works of American composer Stephen Sondheim. Except for Adrien Moignard's ...
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