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Anat Cohen's Brazilian Bonanza: Outra Coisa and Rosa Dos Ventos
by Dan Bilawsky
It's not exactly a secret that Anat Cohen is smitten with the music of Brazil. Her clarinet is a key voice on the Choro Ensemble's albums, she's peppered her own dates with the work of Milton Nascimento, Chico Buarque, Luiz Bonfa, and Hermeto Pascoal, and she made the rounds in New York clubs--and on a pair ...
Paul Winter Sextet: Count Me In
by Duncan Heining
The Paul Winter Sextet might just be one of the best early sixties groups you never heard. Their story, and that of their leader and altoist Paul Winter's, is certainly one of the most remarkable in jazz. Had some director made a film of the Sextet's short life, jazz buffs would have scoffed at the conceit. ...
Doug MacDonald: Just for Fun
by Jack Bowers
While there are no household names on guitarist Doug MacDonald's new 2-CD set, Just for Fun (alto saxophonist Lanny Morgan or perhaps drummer Roy McCurdy may come closest), the sidemen he has chosen for a lively concert date billed as a “jazz marathon" are more than likely among the more accomplished jazz musicians you've seldom or ...
Jazz From Around The World: Latin America and the Caribbean
by Hrayr Attarian
The focus of the second installment of Jazz from Around the World is Latin America and the Caribbean. Because of both proximity to the US and the shared African heritage, particularly in the Caribbean, jazz was seamlessly and naturally adopted in this part of the world. Of course Latin jazz with its many guises is a ...
Stan Getz
by Mark Barnett
The story of Stan Getz (1927-1991) has to begin with Lester Young. Before Young, tenor sax players seemed awash in testosterone. Their sound was full, rich, deep, blown hard out of the instrument's lower registers, with emotion pouring out in lavish swoops and honks. Then along came Lester. In the post-war 1940s, he invented a new ...
Il fascino sostenibile della leggerezza #2
by Alberto Bazzurro
In poche parole ci riproviamo: a tagliare una seconda volta in orizzontale, grosso modo a distanza di un semestre, una fetta di produzione discografica, a conti fatti dischi arrivati nell'ultimo paio di mesi (ma in due o tre casi usciti in precedenza), per soppesare quanto il titolo di quel primo “sopralluogo" (a tesi) (clicca qui per ...
Tubby Hayes: The Syndicate - Live At The Hopbine 1968 Vol. 1
by Roger Farbey
Out of all the Tubby Hayes archival releases over the past few years, this one should by rights generate more than passing interest for several reasons. Expertly mastered by Gearbox from the original tapes and released on vinyl and digital download, it contains four gems, but one of the chief reasons for getting hold of it ...
A Pair From Pascalito: Citizen Chanteur and Forbidden Colours
by Dan Bilawsky
You have to give credit where credit is due: when it comes to turning multicultural pastiche into a unified musical statement, few people can match Pascalito. This light-voiced singer--"world chanteur" by his own definition--effortlessly shifts gears, switches passports, and blurs lines, moving comfortably from bossa nova to chanson to swing to tango with nary a problem. ...
North Sea Jazz Festival Recap: A Moveable, Musical Feast
by Joan Gannij
North Sea Jazz Festival Rotterdam, Netherlands July 10-12, 2015 Three days immersed in sounds and sensations. Followed by two days at home in zombie mode, zen silence. Rather than do an exhausting commute from Amsterdam to Rotterdam each day (by train or auto (50 miles / 75 kilometers each way), I ...
Connie Evingson: All The Cats Join In
by Dan Bilawsky
Were it not for her decision to remain in Minnesota, Connie Evingson would surely be a better-known jazz vocalist. Over the course of her previous releases she's proven herself to be a prepossessing singer capable of getting to the marrow of a lyric without pretense or posturing. And she's remarkably good at putting together programs, be ...
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