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Article: Live Review

Suoni Per Il Popolo 2018

Read "Suoni Per Il Popolo 2018" reviewed by Mike Chamberlain


Suoni Per Il Popolo Montreal, Quebec June 1-19, 2018 The Casa del Popolo and Sala Rossa, the hub of the annual June celebration of avant music known as the Suoni Per Il Popolo, sit across from one another on Saint Laurent Boulevard just below the major intersection of Saint Joseph. ...

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Article: Multiple Reviews

Clean Feed 2018

Read "Clean Feed 2018" reviewed by Mark Corroto


Since it's inception in 2002, Lisbon, Portugal's Clean Feed Records has released nearly 500 recordings. Last year the total was 64. Keeping up with their output might be the best way to follow innovative jazz and improvised music in the 21st century. Besides releasing music by masters such as Peter Brotzmann, Joe McPhee, Ivo Perelman, Elliott ...

Album

Garden

Label: Clean Feed Records
Released: 2016
Track listing: 221; 744; 1030; 516; 555; 1402; 1351.

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Article: Album Review

Rodrigo Amado Motion Trio: Desire & Freedom

Read "Desire & Freedom" reviewed by Mark Corroto


Rodrigo Amado's Motion Trio is the model of free jazz genuineness and efficiency, and by that I mean proficiency. They give off an impression of nonchalance here, but don't let their relaxed approach fool you, beneath the surface their music is burning with all the agitation of the 1960's New Thing in jazz. After ...

22

Article: Album Review

Parrinha / Lopes / Jacinto: Garden

Read "Garden" reviewed by Glenn Astarita


On a global basis, Portuguese guitarist Luis Lopes may be the more recognizable artist of the trio due to his longtime affiliation with Clean Feed Records via its worldly outreach. But his fellow countrymen, reedman Bruno Parrinha and cellist / electronics ace Ricardo Jacinto have been in the thick of things amid the newer horizons approach ...

3

Article: Album Review

Luís Lopes: Love Song

Read "Love Song" reviewed by Mark Corroto


I would never arbitrarily dictate the when and how one should consume a particular recording. But, may I suggest that you only listen to the recording Love Song by Portuguese guitarist Luís Lopes</em> late at night and with the lights off (at least for the first time)?. This is not the celebratory {{m: Frank Sinatra music ...

6

Article: Album Review

Per Gärdin/Rodrigo Pinheiro/Marco Franco/Travassos: Oblique Mirrors

Read "Oblique Mirrors" reviewed by Mark Corroto


Listening to the free improvisation recording, Oblique Mirrors brings to mind a most memorable line from the film The Usual Suspects, where Kevin Spacey as Roger “Verbal" Kint says, “The greatest trick the Devil ever pulled was convincing the world he didn't exist. And like that, poof. He's gone." Maybe its the evanescent nature ...

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Article: Album Review

Luís Lopes/Jean-Luc Guionnet: Live At Culturgest

Read "Live At Culturgest" reviewed by Mark Corroto


All great art invokes the imagination. Think of your favorite movie and the two hours of viewing that transported you into a different world. Music can accomplish the same ends. Take this live date at Culturgest in Lisbon. The meeting between Portuguese guitarist Luís Lopes and French saxophonist Jean-Luc Guionnet creates that same cathartic response.

Album

Noise Solo At ZDB Lisbon

Label: Self Produced
Released: 2014
Track listing: Noise Solo I; Noise Solo II.

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Article: Album Review

Luís Lopes Lisbon Berlin Trio: The Line

Read "The Line" reviewed by Mark Corroto


Guitarist Luís Lopes posted the following quote on his Facebook page, “art should comfort the disturbed and disturb the comfortable." With that as his mission statement, the question arises: can one listen to his music with a sympathetic ear? Or more importantly, is discomfort the motivation and ultimately the goal? Lopes' ...


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