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Album

Finger-Songwriter

By Lucas Pino

Label: Brooklyn Jazz Underground Records
Released: 2012

Album

The World Ahead

By Lucas Pino

Label: Self Produced
Released: 2012

Article: Album Review

Though still in his twenties, pianist/keyboardist/composer Kerong Chok has been one of the bright young stars on Singapore's jazz scene for a decade. He stepped into the limelight as co-writer, arranger and deft accompanist on singer Rani Singam's Contentment (Inflexion Lines, 2011), and here makes his full debut as leader, on a Hammond organ-flavored set that ...

Article: Album Review

Amanda Ruzza: This Is What Happened

Read "This Is What Happened" reviewed by Edward Blanco

by Edward Blanco
June 12, 2012

Brazilian-born Amanda Ruzza began playing bass guitar when she was 12 years old, developing a mastery for the instrument, moving to New York City and, since then, playing a variety of styles of music with such groups as Global Noize and the Chris Stover's Caetano Veloso Project. This Is What Happened is the young artist's debut, ...

Album

The Madman Rambles Again

By Lucas Pino

Label: Fresh Sound Records
Released: 2011

Album

Perpetual

By Lucas Pino

Label: Kindred Spirits Records
Released: 2011

194

Article: Album Review

Rafal Sarnecki: The Madman Rambles Again

Read "The Madman Rambles Again" reviewed by Greg Simmons

by Greg Simmons
August 23, 2011

The Madman Rambles Again is a counterintuitive name for such a carefully constructed album. The compositions feature layered, periodically angular melodies, showing off tight arrangements and a serious dramatic flair. Far from being a madman, guitarist Rafal Sarnecki is a decidedly forward-looking leader with an intense aesthetic on this sophomore effort. Instrumental leadership is ...

185

Article: Album Review

Gideon Van Gelder: Perpetual

Read "Perpetual" reviewed by Mark F. Turner

by Mark F. Turner
January 25, 2011

By implementing diverse styles without being confined to any particular one, pianist Gideon Van Gelder provides stimulation for the mind and ear with Perpetual. Categorizations are meaningless yet intriguing, displaying swatches of Van Gelder's open concepts, Third Stream, and lessons probably garnered from New York's New School for Jazz and Contemporary Music, which Van Gelder attended ...

Album