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Monty Alexander: Still Rolling
by Geno Thackara
If there's one defining quality to Monty Alexander's music, it's joy. An unmistakable undercurrent of happiness has been constant across several decades, dozens of recordings and countless performances all over the world. He could be honoring classic jazz balladeers, exploring the danceable “riddims" of his native Jamaica or anything in between, and you can always hear ...
Charles McPherson: The Man and His Muse
by Joan Gannij
Acclaimed alto saxophone wizard Charles McPherson has a new muse: his 25-year-old daughter Camille, a premier dancer with the San Diego Ballet, where he also serves as composer-in-residence these days. McPherson was a young father in his twenties, with three children from a first marriage. Thirty years up the road, after marrying the lovely Lynn, a ...
Buenos Aires International Jazz Festival 2017
by Mark Holston
Buenos Aires International Jazz Festival Buenos Aires, Argentina November 15-20, 2017 Mid November in Buenos Aires is a special time of the year. True to the meaning of the city's name, the air is crisp and fresh and blossoming jacaranda trees bathe the greater metropolitan area in a dazzling shower of purple ...
Hugh Masekela: Strength in Music and Character
by R.J. DeLuke
This article was first published at All About Jazz in May 2009. “I think it is incumbent, not just on every artist, but every person who has as their source communities that are disadvantaged, to give back," says Hugh Masekela, antiapartheid champion, friend of the downtrodden and musician extraordinaire who is still going strong ...
Vaneese Thomas: The Long Journey Home
by James Nadal
With an inherited musical talent, and a professional recording career going back over thirty years, vocalist Vaneese Thomas has appropriately titled her latest release The Long Journey Home, home being her Memphis roots of blues, gospel, and soul. Her last release Blues For My Father, (2014 Segue Records) was an emotional tribute to her father, legendary ...
2016: The Year in Jazz
by Ken Franckling
The year 2016 bubbled with events and initiatives to strengthen jazz's place in American and world culture, as well as a variety of venue openings, closings and cancellations. Jazz hit the silver screen in many ways throughout the year, and International Jazz Day continued to thrive--complete with a major all-star concert at the White House. Pop ...
Eric Bibb: The Happiest Man In The World
by Chris Mosey
Like his mentor Taj Mahal, Eric Bibb plays and sings acoustic country blues in praise of the simple things in life. He doesn't go in for flashy solos or what used to be called “the old moody." His career spans five decades and this is 36th album. In “Prison of Time," the best, most heartfelt song ...
Big Harp George: Wash My Horse In Champagne
by James Nadal
There is positive news on the blues front, as it continues to evolve and be held in high esteem by its faithful practitioners and audience. Already a generation removed from the heyday of legendary originators; there is a crop of players who have been keeping the blues flourishing, and contributing a renewed outlook to the idiom. ...
Johnny Summers: Piano Sessions, Volume 2
by Steve Bryant
Canada's contribution to jazz may not be as well documented as that of the United States, but our neighbors to the North have produced some fine players such as Oscar Peterson, Jane Bunnett, Diana Krall, and Renee Rosnes. Now add to that heralded group a young trumpet player by the name of Johnny Summers who has ...
Kansas Smitty's House Band: Kansas Smitty's
by Bruce Lindsay
Kansas Smitty's is the debut album from the eight-piece Kansas Smitty's House Band, a London-based octet with an open approach to the integration of many jazz styles. The result is a refreshingly original debut album filled with some of the catchiest and most engaging music around. House bands have a long history, playing regular ...
