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Gennett Records This Week On Riverwalk Jazz
This week, Riverwalk Jazz pays tribute to a ragtag recording studio in rural Richmond, Indiana that between 1922 and 1928 became a focal point for a hot jazz revolution. Gennett Records was the first record company to record significant black artists like King Oliver, Jelly Roll Morton and Louis Armstrong, as well as white jazz pioneers ...
The Hot Sardines at Wildwood Park for the Arts
by C. Michael Bailey
The Hot Sardines Wildwood Park for the Arts Little Rock, Arkansas November 15, 2013 Is there a triple point where novelty, entertainment, and art meet? That was the question while watching New York City's period jazz band, the Hot Sardines, stroll through the '20s, '30s, and '40s like they knew ...
2013 Enjoy Jazz Festival
by John Kelman
Enjoy Jazz 2013 Heidelberg/Mannheim/Ludwigshafen, Germany November 6-14, 2013 It's always a treat to return to Heidelberg for Enjoy Jazz. As a very intended contrast to most jazz festivals, that compress a lot of music into a very short time, Enjoy Jazz's founding premise, when it was first conceived 15 years ago by ...
The Jazz Musician's Tarot Deck
by Florence Wetzel
The Jazz Musician's Tarot Deck Matt Lavelle 55 pages ISBN: 14186207 Lulu 2013 Multi-instrumentalist Matt Lavelle is an artist who loves a challenge. Not content to play one instrument, he plays several: trumpet, cornet, flugelhorn, and alto clarinet. Looking to expand his creativity, he started blogging a few years ...
konstruKt: Turkish Free Music
by Mark Corroto
When we think of the term “virus," we equate it with human disease or an infection, as in a computer virus. But consider the musical virus known as free jazz, or improvisation. Its origins can be traced back to a Louis Armstrong solo deviating from his brass band's arrangement. Quickly, his extemporizing blossomed into jazz music ...
Steve Wilson: Lifetime of Study
by George Colligan
Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth. I'm very happy to have the opportunity to interview a musician that I've worked with a lot over the years. When people say that a musician has worked with everybody in the business, Steve Wilson has literally worked with everyone in jazz. ...
Judy Wexler: What I See
by Florence Wetzel
One of the deepest relationships in jazz blossomed on the West Coast in the 1950s, when singer June Christy and arranger Pete Rugolo combined their gifts on numerous albums. Christy supplied the voice and the heart, which Rugolo set off to perfection with exquisite, often surprising arrangements. The deep understanding between the two artists was particularly ...
3 Cohens: Tightrope
by Dan Bilawsky
It shouldn't come as a shock that the 3 Cohens stress the idea of interconnectedness in their music; soprano saxophonist Yuval Cohen, multi-reedist Anat Cohen and trumpeter Avishai Cohen are, after all, blood. With albums like One (Anzic, 2004), Braid (Anzic, 2007) and Family (Anzic, 2011), these three horn-playing siblings have made it clear that they're ...
Trent Austin: Pulling an Ace from the Musical Deck
by Nicholas F. Mondello
New England-based trumpeter, Trent Austin is indeed a Renaissance Man--multi-genre performer, business owner, trumpet/brass equipment designer, clinician and teacher. He's also one of the most beloved and respected--by the greatest of players and up-and-coming players--in each of those activities. I caught up with Austin as he plans to head out on tour in October with the ...
Ye Olde Criticism of Jazz
by Scott Krane
SURREALISM, n. Psychic automatism in its pure state, by which one proposes to express--verbally, by means of the written word, or in any other manner--the actual functioning of thought. Dictated by the thought, in the absence of any control exercised by reason, exempt from any aesthetic or moral concern. ENCYCLOPEDIA. Philosophy. Surrealism is based ...
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