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Live From Birmingham: The Sonics, Otis Gibbs, George Huxley & John Altman
by Martin Longley
The Sonics The Institute July 28, 2015 The Sonics virtually created the garage band sound, back in the mid-1960s, taking the foundations of rhythm'n'blues and forcing a leap towards further extremity, continuing the mission begun by Link Wray, but using warped pop song structures instead of instrumental grinding. Surely ...
Jazz Musician of the Day: Louis Armstrong
All About Jazz is celebrating Louis Armstrong's birthday today! By virtue of the role he played in its evolution during the first quarter of the 20th century, Louis Armstrong is regarded as the most influential jazz musician in history. This distinction is coupled with his stewardship of jazz around the world over the next five decades ...
Dee Dee Bridgewater - Irvin Mayfield - The New Orleans Jazz Orchestra: Dee Dee's Feathers
by Angelo Leonardi
Tornata a vivere negli Stati Uniti dopo molti anni di residenza parigina, Dee Dee Bridgewater ha inciso un nuovo disco, affidandosi alla guida di un produttore, cosa cha aveva sempre rifiutato nella sua vita professionale da leader. “Negli States non mi concederebbero mai un contratto da produttore -diceva anni fa in un'intervista-Essere in mano a un ...
AAJ @ 20
by Jeff Fitzgerald, Genius
If you think back over the past twenty years (not right now. You have this article to read yet), you'd realize that we are living in one of the most remarkable times in human history. The Internet has brought the entire world to our fingertips, and has given every cat on the face of the earth ...
Debby Moore: My Kind Of Blues
by James Nadal
For the record hounds (you know who you are) out there that seek and scavenge the garage sales and flea markets for old albums, there is such a thing as redemption. After scoring My Kind Of Blues by singer Debby Moore at a flea market for one dollar, further research revealed a mysterious back story with ...
Bebop, Swing, and Bella Musica: Jazz and the Italian-American Experience
by Nicholas F. Mondello
Bebop, Swing, and Bella Musica: Jazz and the Italian-American Experience Bill Dal Cerro and David Anthony Witter 384 Pages ISBN: #978-1-60461-089-5 Bella Musica Publishing 2015 In this meticulously researched and anecdote-included work, authors Bill Dal Cerro and David Anthony Witter present a truly fascinating perspective on both the history ...
Kuai Music: Moving Jazz Forward Collectively
by Jakob Baekgaard
The history of jazz is often told as an evolution propelled by great individuals whose singular sounds have helped to shape the aesthetic of the music. This is understandable since artists like Louis Armstrong, Duke Ellington, Charlie Parker, John Coltrane and Miles Davis really DID influence the development of jazz and this is confirmed every time ...
An Evening With the Pops, Part II or, Louis Louis, We Gotta Go Now
by Jeff Fitzgerald, Genius
Well, kids, when last we left Louis Armstrong; he had solidified his place as America's first legitimate jazz superstar on the basis of his seminal recordings with his Hot Five and Hot Seven ensembles, was married to a legumicidal maniac and trusting his fortunes to a mobbed-up dandy who shared his neckwear with Al Capone. There ...
An Evening with the Pops
by Jeff Fitzgerald, Genius
There are several theories concerning the origin of jazz. The most prevalent is that jazz originated primarily in New Orleans, a so-called “gumbo" of influences ranging from African polyrhythms to European classical to American Negro spirituals, and permeated the turn-of-the-century culture to the point that within two decades it had established hotbeds in the two largest ...
Armstrong and Bernstein, 1956
On July 14, 1956, Louis Armstrong and His All-Stars participated in the Guggenheim Concert at Lewisohn Stadium in New York. The stadium was on the campus of City College in Manhattan (and was razed in 1973). This was the first concert by the New York Philharmonic to feature jazz musicians, with the Dave Brubeck Quartet performing ...
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