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12

Article: Play This!

Lou Donaldson: Alligator Bogaloo

Read "Lou Donaldson: Alligator Bogaloo" reviewed by Joseph Vella


Who doesn't love the playing of Lou Donaldson? This late-'60s gem is one of those recordings where everything hits right. It is not only brilliant (and wonderfully dated) but it's also the type of record even your non-jazz friends can snap and tap to. The combo of hard bop and soul jazz is infectious. Right from ...

4

Article: Radio & Podcasts

Feel Good Music Show

Read "Feel Good Music Show" reviewed by David Brown


It's New Year's Eve here on the Jazz Continuum. Weather you're getting gussied up to go out, or laying low for the evening, we're here to present an evening of Feel-Good Music to keep you company. Playlist Thelonious Monk “Esistrophy (Theme)" from Live at the It Club-Complete (Columbia) 00:30 Terry Pollard “Scrapple From ...

Album

Celebrating 75 Years Of His First Recordings Revisited

Label: Ezz-thetics
Released: 2022
Track listing: Thelonious; ’Round Midnight; Well You Needn’t; Off Minor; In Walked Bud; Epistrophy; Ruby My Dear; Evidence; Humph; Misterioso; I Mean You; Monk’s Mood; Who Knows; Four in One; Straight No Chaser; Criss-Cross; Eronel; Ask Me Now; Skippy; Let’s Cool One; Hornin’ In; Introspections; Sixteen.

27

Article: Year in Review

2022: The Year in Jazz

Read "2022: The Year in Jazz" reviewed by Ken Franckling


Current events impacted the jazz world in significant ways throughout 2022. In its third year, the coronavirus pandemic continued to lurk in some settings, while others recovered in robust fashion. Russia's war on Ukraine was felt by musicians and triggered an outpouring of support for its victims. Initiatives to ensure greater equity in jazz advanced. The ...

234

Article: Interview

Joe Lovano: Cleveland's Ultimate Jazz Titan

Read "Joe Lovano: Cleveland's Ultimate Jazz Titan" reviewed by Matthew Alec


Friday, June 24th, 2022, saxophonist Joe Lovano's group Sound Prints (alongside trumpeter and co-leader Dave Douglas) delivered a tour de force performance to spellbound audience members at the historic Mimi Ohio Theatre in Playhouse Square as a part of Cleveland's annual Tri-C JazzFest. Seasoned group interplay between drummer Rudy Royston, bassist Matt Penman, and pianist Leo ...

50

Article: Building a Jazz Library

Horace Silver: His Only Mistake Was To Smile

Read "Horace Silver: His Only Mistake Was To Smile" reviewed by Chris May


In his sleeve note for the audio restored Horace Silver album Live New York Revisited (ezz-thetics, 2022), British writer Brian Morton cut to the chase. “[Silver]'s only mistake," he wrote, “was to smile while he was playing... a challenge to the notion that jazz should be deadly serious and played with a pained rictus."

3

Article: Bailey's Bundles

August 2022: Higher Ground

Read "August 2022: Higher Ground" reviewed by C. Michael Bailey


DO'A Higher Grounds Outside In Music 2022 Polymath composer, guitarist and pianist, DO'A, possesses an embarrassment of talent equal only to the smoky and concealed mystery surrounding her and her provocative moniker. Her voice is deeply alto: dusky, rich, and indulgent, like dark chocolate, full of crepuscular secrets and seductive ...

1

Article: Radio & Podcasts

Town Hall: Satchmo to Cecil

Read "Town Hall: Satchmo to Cecil" reviewed by David Brown


I picked up a Blue Note box set titled One Night with Blue Note Preserved. It contains a concert presented at Town Hall, NYC in February of 1985 which relaunched the historic label after years of dormancy. Tonight, in addition to selections from this concert—Herbie Hancock, Art Blakey, McCoy Tyner and others—we'll explore other live recordings ...

26

Article: Album Review

Amos Gillespie: Unstructured Time for Jazz Septet

Read "Unstructured Time for Jazz Septet" reviewed by Jack Bowers


Chicago-based composer/educator/alto saxophonist Amos Gillespie's CD, Unstructured Time, employs a variety of time signatures but is anything but unstructured--in fact, the opposite may reasonably be opined, as taut structure is clearly front and center on the album's four instrumental and five vocal numbers. In other words, “unstructured" in Gillespie's lexicon bears absolutely no resemblance to “free" ...

49

Article: Building a Jazz Library

Hard Bop: Ten Essential Live Albums

Read "Hard Bop: Ten Essential Live Albums" reviewed by Chris May


"Fire! That's what people want. Music is supposed to wash away the dust of everyday life. You're supposed to make them turn around, pat their feet. That's what jazz is about. Play with fire. Play from the heart, not from your brain. You got to know how to make the two meet." So ...


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