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Article: Album Review

Olga Konkova & Jens Thoresen: Old Songs

Read "Old Songs" reviewed by Geno Thackara


Olga Konkova and Jens Thoresen seemingly can't sit down for a chat without something beautiful coming out. Each has a mellifluous touch on their instrument, but their eloquent back-and-forth chemistry is the bigger part of what makes their duo recordings special. Following on from the holiday collection December Songs (Losen, 2016), the pair sticks to the ...

13

Article: Album Review

The Tronosonic Experience: The Tronosonic Experience

Read "The Tronosonic Experience" reviewed by Mark Sullivan


Norwegian quartet The Tronosonic Experience describes the music on their debut as “punk-jazz-avant-rock," which about covers it. Opener “Die Streif" comes storming in with a heavy bass line and an emphasis on the rock end of the spectrum, including blazing distorted guitar from Øyvind Nypan. It shows a completely different side of his playing from his ...

4

Article: Album Review

LRK Trio: If You Have a Dream

Read "If You Have a Dream" reviewed by Geno Thackara


It begins with a swell of strings that could almost serve as a prelude to something classical. Before the first minute is over, the piano swoops in for a brief but dizzying solo as the intro builds to a plateau. In the next minute we're launched into a tumble down a very steep slope--the piece's composer ...

2

Article: Album Review

Frode Kjekstad: A Piece of the Apple

Read "A Piece of the Apple" reviewed by Geno Thackara


There's no telling just when or why a certain place will sink its hooks into you. However active Frode Kjekstad remains in his native Norway, he's clearly left his heart in New York City. The bustling personality of the metropolis can be felt all over his bop-and-blues compositions and fleet fretwork. With a classy full-bodied tone ...

3

Article: Multiple Reviews

Guitars on Three Continents

Read "Guitars on Three Continents" reviewed by Geno Thackara


Gonzalo Esteybar One Look River Flow Records 2017 Even when you can glean a lot from a first glance, it still usually means just scratching the surface. Gonzalo Esteybar knows his way around the instrument enough to have studied in Robert Fripp's Guitar Circle and repeatedly toured with its ...

11

Article: Multiple Reviews

440 Keys: A Batch of Piano Delights

Read "440 Keys: A Batch of Piano Delights" reviewed by Geno Thackara


It's always a pleasure to be reminded what a range of sounds just one instrument can produce. The same 88 keys can be used in endlessly different ways in different inventive hands, and this batch of recordings has several masterful performers taking that starting point toward quite eclectic ends. Dag Arnesen Trio Pentagon ...

20

Article: Album Review

Nypan: Stereotomic

Read "Stereotomic" reviewed by Geno Thackara


You have to give people a chance to miss you sometimes. Øyvind Nypan certainly seems to understand the idea of spacing visits apart in order to have something to bring back to the table each time. His second Losen Records outing took four years to follow on from Republique (Losen, 2013), and the entire backing cast ...

10

Article: Album Review

Christer Fredriksen: Vit

Read "Vit" reviewed by Mark Sullivan


On his first two albums Norwegian guitarist Christer Fredriksen was playing in a contemporary jazz style, albeit one with clear rock influences. Urban Country (Losen, 2011) even included a cover of the Duke Ellington standard “In a Sentimental Mood." Vit finds him creating soundscapes in a single take using a loop pedal and three guitar amps ...

25

Article: Multiple Reviews

New, Notable and Nearly Missed

Read "New, Notable and Nearly Missed" reviewed by Phil Barnes


One of the great pleasures of the holiday season is taking stock of the last 12 months, comparing notes with friends, investigating their recommendations and catching up with some of those releases that you never quite got round to. The falling cost of an independent release has meant that it is easier than ever for a ...

5

Article: Album Review

Lorenzo de Finti Quartet: We Live Here

Read "We Live Here" reviewed by Geno Thackara


After some time immersed in the world of electric jazz, Lorenzo de Finti decided it was time to return to the piano and base his next endeavor in warm acoustic tones, and the result is a beautifully cozy experience. The title looks like an obvious Pat Metheny homage which might suggest a feel of Americana, but ...


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