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John Graas: Jazz Studio 1/2: Complete Sessions

by David Rickert
Why isn't John Graas more well-known as a jazz musician? Partly because he spent his time on the West Coast in and out of studio bands, recording infrequently with jazz bands or leading his own sessions. It could also be that his chosen instrument, the French horn, is the awkward kid standing off to the side ...
Bud Shank and Bob Cooper: European Tour '57

by David Rickert
Bud Shank and Bob Cooper were prolific players on the 1950s West Coast jazz scene, readily available to participate in studio sessions while making a lot of hay as studio musicians. However, they developed a unique chemistry early on as members of Stan Kenton's band, particularly in the area of unusual instrumentation. While the altoist and ...
Dick Twardzik Trio: Complete Recordings

by David Rickert
Dick Twardzik is one of the great What Ifs in jazz. After a promising start backing the likes of saxophonists Charlie Parker and Serge Chaloff, showing a penchant for inventive originals and ingenious reworking of melodies, he succumbed to a drug overdose at the age of 24 while on tour with Chet Baker. He is one ...
Bob Gordon: Quintet/Sextet with Herbie Harper and Jack Montrose Complete Recordings

by David Rickert
Bob Gordon was a major player on the West Coast scene of the fifties and was on a path to become one of the greatest baritone sax players jazz had ever produced. Unfortunately, he died in an automobile accident in 1955, just as the cool jazz scene was beginning to gather some steam. Before ...
Play the Arrangements of Jimmy Giuffre

By Bill Evans
Label: Lone Hill Jazz
Released: 2006
Track listing: Palo Alto; When You Lover Has Gone; Cork 'N' Bib; Somp'm Outa' Nothin'; Someone to Watch
Over Me; Uncharted; Moonlight In Vermont; The Song Is You; Darn That Dream; Ev'rything I've
Got (Belongs To You); You Don't Know What Love Is; I Didn't Know About You; I'm Getting
Sentimental Over You; You're Driving Me Crazy; You're Clear Out Of This World; The More I
See You; You Are Too Beautiful.
Johnny Hartman The Complete Gus Wildi Recordings

Label: Lone Hill Jazz
Released: 2006
Track listing: What Is There To Say; Ain't Misbehavin'; I Fall In Love Too Easily; We'll Be Together Again; Down In The Depths Of The 90th Floor; They Didn't Believe Me; I'm Glad There Is You; When Your Lover Has Gone; I'll Remember April; I See Your Face Before Me; September Song; Moonlight In Vermont; Blue Skies; Birth Of The Blues; I Get A Kick Out Of You; All Of Me; I Could Make You Care; Tenderly; The Lamp Is Low; While We're Young; I'll Follow You; I Concentrate On You; Stella By Starlight; The End Of A Love Affair; I See Your Face Before Me (Alt. take).
Hey! It's James Moody

By James Moody
Label: Lone Hill Jazz
Released: 2006
Track listing: Stella By Starlight; Indian Summer; Don't Blame Me; Last Train From Overbrook (vocal version); Please Say Yes; Blue Jubilee; Woody'N You; Trouble In De Lowlands; Summertime; Tali; Flute'N The Blues; Birdland Story; It Could Happen To You; I Cover The Waterfront; Body And Soul; Breaking The Blues; Parker's Mood; Easy Living; Boo's Tune; Richard's Blues; Last Train From Overbrook (instrumental version); Workshop; I'n In The Mood For Love.
The Original Chico Hamilton Quintet Complete Studio Recordings

Label: Lone Hill Jazz
Released: 2006
Track listing: A Nice Day; My Funny Valentine; Blue Sands; The Sage; The Morning After; Jonalah; Chrissie; The Wind; Gone Lover; The Ghost; I Want To Be Happy; Spectacular; Free From; Walking Carson Blues; Buddy Boo; Stella By Starlight; A Bark For Barksdale.
The Complete Big Band Studio Recordings

Label: Lone Hill Jazz
Released: 2006
Track listing: Nica's Tempo; Deep Passion; Smoke Signal; Sunrise-Sunset; Not So Sleepy; Perdido;
Speculation; Two French Fries; Pendulum At Falcon's Lair; Gentle Art Of Love; Now See How
You Are; I Remember Clifford; Aw! Come On; Somewhere; Laura; Little Niles; Seabreeze;
Gentle Art Of Love (Theme); Aw! Come On; I Remember Clifford.
James Moody: Hey! It's James Moody

by Andrew Rowan
There is nothing earth-shattering on this collection, which was originally issued as two LPs: Flute'n The Blues (1956) and Hey! It's James Moody (1959). What remains remarkable, though, is how fresh James Moody sounds, even when some of the arrangements show their age and some of the ensemble passages lack precise intonation. Indeed, some of these ...