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Another Timbre reaches its century in top form
by John Eyles
Another Timbre's three latest releases bring up a significant landmark in the label's brief history. Since the label released its first CD in the autumn of 2007, it has now put out over 100 discs—at a rate of more than one a month. Lest anyone wishes to point out that the latest release—the James Saunders disc, ...
London Gypsy Jazz Venue Needs Your Support
London’s home of Gypsy swing, Le QuecumBar: The Hot of Club of London, has in the face of adversity come up with ambitious plans to take the top spot of becoming the UK’s favourite live music venue and jazz club. Le QuecumBar was established from a dream and a glass of wine on the banks of ...
Theo Travis’ Double Talk: Transgression
by Roger Farbey
The chiming notes of a very Mahavishnu Orchestra sounding guitar open the tension-rich “Fire Mountain" hotly pursued by Theo Travis' intense tenor sax soloing and coruscating axe work from Mike Outram. A change of pace is heard in the title track, beginning slowly but gradually building-up in pace and volume, Outram's fuzzy guitar twinned ...
Stefan Keune/Dominic Lash/Steve Noble: Fractions
by John Sharpe
German reedman Stefan Keune has shown a strong affinity for British improv since making a connection with drummer Paul Lytton in 1990. Since then his discography records a number of dates with guitarist John Russell, including appearances at London's now dormant Freedom of the City festival. This limited edition LP, recorded at Russell's Mopomoso gathering at ...
Better than TV: Late
by Bruce Lindsay
Better than TV, huh? A few years ago that assertion--from a young quintet based in Cambridge, UK--would have been quite a boast. Today, not so much. Still, congrats to the band for coming up with the name. It's memorable and a tad quirky, which is good, because on this evidence the band, with a strong bop ...
Alexander Hawkins: Alexander Hawkins Trio
by John Sharpe
For the inaugural release on his own imprint, pianist Alexander Hawkins for the first time tackles the classic piano trio. Hawkins has already convinced in an increasing variety of formats, ranging from his customary ensemble, heard in its latest incarnation on Step Wide, Step Deep (Babel, 2014) to chamber nonet (broadcast on BBC Radio 3, but ...
Juliet Kelly: Spellbound Stories
by Bruce Lindsay
Eleven songs, all inspired by favorite novels, form Spellbound Stories, vocalist and songwriter Juliet Kelly's fourth album. It's a stylistically disparate collection, centered on Kelly's light and welcoming vocal. Exactly which novels gave Kelly her inspiration isn't made clear by the songs (except for one) or the CD notes, so the literary listener might ...
Fred Frith, Barry Guy: Backscatter Bright Blue
by Vic Albani
Con la doverosa e ormai classica intraprendenza, l'intelligente Intakt elvetica ha chiamato due universi musicali distanti fra loro come quelli di Fred Frith e di Barry Guy nello studio di Willy Strehler per quella che potremmo sì definire una session d'improvvisazione ma che porta con sé anche un gradiente di creatività semplicemente straordinario. Quando c'è di ...
The Greg Foat Group: The Dancers at the End of Time
by Roger Farbey
This is the fourth album by pianist/organist/composer Greg Foat and has been released both on CD and LP (this review concerns the latter format) and is unquestionably his most accomplished and satisfying to date. The stately strains of a church organ (a real one, since this album was recorded in a church), herald the ...
Ginger Johnson and his African Messengers: African Party
by John Eyles
The release of the compilation album Highlife on the Move: Selected Nigerian & Ghanaian Recordings from London & Lagos 1954-66 (Soundway Records, 2015) threw light on the often-neglected role that the London scene of the fifties and sixties played in the development of Highlife and Afrobeat music, during a time before the term “World Music" had ...
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