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Lewis Nash
Born:
Rhythm Is My Business" is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists - from the masters of the music to the hottest young players of today - and is equally in demand as a clinician and educator. Born in Phoenix, Arizona, Lewis developed an early interest in music and began playing drums at age 10. By age 18, he was performing with local jazz groups. By the time he was 21, Nash had become the "first call" jazz drummer in Phoenix, working with Sonny Stitt, Art Pepper, Red Garland, Lee Konitz, Barney Kessell and Slide Hampton during their engagements in the city. In 1981, Nash moved to New York City and joined the trio of the great jazz vocalist Betty Carter
Kendrick Scott: Making Walls into Bridges
by Rob Garratt
Kendrick Scott authored one of the most compelling jazz releases of last year with A Wall Becomes a Bridge (Blue Note, 2019), a nuanced meditation on identity, history and prejudice, shepherded under the direction of producer and former band mate Derrick Hodge. Pairing gorgeous, searching improvisatory canvases with break beat interludes and samples from guest DJ ...
Umbria Jazz Winter 2020
by Libero Farnè
Orvieto Varie sedi, 28.12.2019--1.1.2020 Le cinque giornate di Umbria Jazz Winter si sono aperte nel segno del cordoglio per la triste notizia della scomparsa di Mario Guidi, manager di grande competenza e padre del pianista Giovanni. Il suo funerale si è tenuto a Foligno il 29 dicembre con la partecipazione larga e ...
Jazz Musician of the Day: Lewis Nash
All About Jazz is celebrating Lewis Nash's birthday today! Rhythm Is My Business" is the title of his debut recording as a leader, and rhythm is a booming business as far as Lewis Nash is concerned. He is the drummer of choice for an incredible array of artists- from the masters of the music to the ...
Michael Dease: Never More Here
by David A. Orthmann
Perhaps the most significant thing about Never More Here, trombonist Michael Dease's seventh outing for the Posi-Tone imprint, is the striking polarity of two of the disc's four outstanding tracks, “Mirror Image" and “Blue Jay." In a recording filled with compositions by J.J. Johnson, John Lewis, Jackie McLean and Jimmy Heath, pianist Renee Rosnes' ...
Marlene Rosenberg: MLK Convergence
by Dan Bilawsky
There's MLK, and then there's MLK. In this particular context we're talking about a three-letter acronym referencing the musical union of bassist Marlene Rosenberg, drummer Lewis Nash, and pianist Kenny Barron. And in broader terms those initials obviously point to the late Martin Luther King, Jr. With MLK Convergence the sounds of the former meet up ...
Mike Allen: Just Like Magic
by Jack Bowers
Mike Allen is another in an apparently never-ending line of talented saxophonists who seem to emerge, from time to time, from the Canadian provinces to ensnare the hearts and earn the admiration not only of their fellow countrymen but jazz enthusiasts in other climes as well. On Just Like Magic, Allen leads a deft and experienced ...
Larry Fuller: Overjoyed
by Dan Bilawsky
Pianist Larry Fuller isn't exactly coy about the substance of this record. Exuberance is an obvious through-line as he works his way across a dozen charmers that frequently live up to the promise of the title in different ways. Leading an ace trio with Hassan Shakur on bass and Lewis Nash on drums, Fuller ...
Brother Thelonious Re-Released At California North Coast Jazz and Ale House
by Arthur R George
"Brother Thelonious," an ale named in tribute to pianist Thelonious Monk using a Belgian Trappist brew style, is flowing again out of the North Coast Brewing Company in Fort Bragg, California and its jazz-devoted performance venue, The Sequoia Room. An intermission in production occurred after a dispute between North Coast Brewing and the Estate of the ...
Chuck Redd: Groove City
by Dan Bilawsky
How do you get into the zone, where do your thoughts travel, and what realm do you occupy when playing and recording? The answer to that multi-pronged question, while no doubt slightly different for every musician, can be boiled down fairly easily. To paraphrase Chuck Redd's thoughts on the matter, you just appreciate the moment and ...
