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Jazz Articles about Lewis Nash

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Album Review

Ray Gallon: Grand Company

Read "Grand Company" reviewed by Jack Bowers


Score one for truth in advertising. New York City-based pianist Ray Gallon is definitely in Grand Company on his first recording as the leader of a trio, ably chaperoned every step of the way by bassist Ron Carter and drummer Lewis Nash who are quite simply two of the best in the business (Hall of Fame caliber), and have been at the top of their game for many years. That is not to imply that Gallon merely ...

14
Album Review

Ray Gallon: Grand Company

Read "Grand Company" reviewed by Pierre Giroux


Ray Gallon is a pianist with a rich and complex musical vocabulary. In the company of bassist Ron Carter and percussionist Lewis Nash, he has recorded an album that is filled with technical proficiency and emotional depth as well as a unique artistic voice. Adding to the enjoyment is the sophistication of the recording, which was made at the Van Gelder Recording Studio in Englewood Cliffs, New Jersey, under engineer Maureen Sickler. This nine-track session is ...

5
Album Review

Donald Vega: As I Travel

Read "As I Travel" reviewed by Pierre Giroux


Pianist Donald Vega's latest album As I Travel is a captivating musical memoir in which, through an intricate blend of melodies and harmonies, he weaves a heartfelt narrative which pays homage to the familial and communal influences that have shaped his artistic journey. Accompanying him on this excursion are drummer Lewis Nash, bassist John Patitucci and percussionist Luisito Quintero, each of whom brings impressive credentials with him. All nine compositions on this release were composed and ...

1
Album Review

Clark Gibson: Counterclock

Read "Counterclock" reviewed by Pierre Giroux


Saxophonist Clark Gibson's Counterclock demonstrates the synergy that can be generated by an outstanding group of performers, including trumpeter Sean Jones, trombonist Michael Dease, Hammond B-3 organist Pat Bianchi, vibraphonist Nick Mancini and drummer extraordinaire Lewis Nash. While pushing the boundaries, the set list, with one exception, is made up of original compositions by Gibson and Mancini. The opener, “Conflict," captures Gibson's emotive alto saxophone work as he is pushed along by Nash's drumming and Bianchi's ...

26
Album Review

George Freeman: The Good Life

Read "The Good Life" reviewed by Jack Bowers


For guitarist George Freeman, The Good Life has also been a long life. He was a nimble-fingered ninety-five-year-old plectrist when this splendid album was recorded in May and June 2022, which makes it all the more grievous to know it would be organ maestro Joey DeFrancesco's last recording date; he died of a heart attack some three months later at the relatively young age of fifty-one. Freeman leads two trios here, the first with DeFrancesco on organ ...

30
Album Review

Noah Haidu: Standards

Read "Standards" reviewed by Jack Bowers


Forty years after the renowned Standards Trio comprised of Keith Jarrett, Gary Peacock and Jack DeJohnette released its debut album, Standards, Vol. 1, New York-based pianist Noah Haidu pays his respects with a similarly named enterprise (sans volume number) featuring bassists Buster Williams or Peter Washington and drummer Lewis Nash, with saxophonist Steve Wilson making it a quartet on four numbers. The Standards Trio's body of work “brought me inspiration, solace and happiness," Haidu writes in the ...

1
Liner Notes

Christian Howes & Richard Galliano: Southern Exposure

Read "Christian Howes & Richard Galliano: Southern Exposure" reviewed by Howard Mandel


Christian Howes wants you to know that Southern Exposure is not simply another violin and accordion record, some light-hearted evocation of Parisian café music. “It's deeper than that," Howes, the 40-year-old violinist who is also an educator and online entrepreneur, says of his 13th album (counting self-produced projects from the 1990s). “I think there's a lot of passion on the record. There's a sort of tragic feel to some of it. “It's distinguished by the fact ...


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