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88

News: Radio

STLJN Audio Archive: Charles "Bobo" Shaw and Lester Bowie - Bugle Boy Bop

STLJN Audio Archive: Charles "Bobo" Shaw and Lester Bowie - Bugle Boy Bop

For this installment of the StLJN Audio Archive, we tune into Bugle Boy Bop, an album of duos recorded by drummer Charles “Bobo" Shaw and trumpeter Lester Bowie issued on the Muse label in 1983. The original LP (pictured) was recorded live at saxophonist Sam Rivers' NYC loft venue Studio Rivbea on February 5, 1977, with ...

177

Article: Multiple Reviews

Joe McPhee: A Band Apart

Read "Joe McPhee: A Band Apart" reviewed by Clifford Allen


You might expect a musician who has been a steady figure on the creative improvising scene for nearly 45 years to have some variance in their discography and a diverse range of projects and band concepts. Reedman (and sometime pocket trumpeter) Joe McPhee's vast number of recordings and ensembles speak to that impulse, but the curious ...

136

News: Radio

STLJN Audio Archive: Lester Bowie Quintet Live in Padua, 1978

STLJN Audio Archive: Lester Bowie Quintet Live in Padua, 1978

This week's Audio Archive entry comes via the blog Inconstant Sol, and features a commercially unissued live recording of trumpeter and St. Louis native Lester Bowie (pictured) performing with his quintet on April 4, 1978 at Teatro Tenda in Padua, Italy. The set is described by the blogger as “One of the best groups led by ...

201

Article: Live Review

Undead Jazz Festival: Day 4, June 26, 2011

Read "Undead Jazz Festival: Day 4, June 26, 2011" reviewed by Daniel Lehner


Day 1 | Day 2 | Day 3 | Day 4 Undead Jazz Festival New York, New York June 23-26, 2011 The last night of the Undead Jazz Festival, which had paraded its way from the chic, well-lit streets of the West Village down into the depths ...

265

Article: Live Review

AACM Great Black Music Festival

Read "AACM Great Black Music Festival" reviewed by Kurt Gottschalk


Ars Nova Workshop's AACM: Great Black Music FestivalPhiladelphia, PA June 4-13, 2011 It's been a hot half decade for the Association for the Advancement of Creative Musicians. Nicole Mitchell's tenure as co-chair (with Ernest Dawkins) came at a time when her star as a flutist and bandleader was also rising. Co-founder Muhal Richard ...

110

Article: Album Review

Ernest Dawkins' New Horizons Ensemble: The Prairie Prophet

Read "The Prairie Prophet" reviewed by Nic Jones


The Prairie Prophet is the fifth release on Delmark from reed player Ernest Dawkins and his band. It's clear that over the course of that association both leader and band have evolved to the point where they can be considered as one of the more vibrant, most urgently alive outfits on the scene. This album pays ...

560

Article: Interview

Jay Anderson: Driving the Bus

Read "Jay Anderson: Driving the Bus" reviewed by Ian Patterson


The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...

268

Article: Album Review

Dave Douglas Brass Ecstasy: United Front: Brass Ecstasy At Newport

Read "United Front: Brass Ecstasy At Newport" reviewed by Mark Corroto


Brass bands, like wild animals are best viewed in their native habitats. Watching a lion on the savanna is a much different experience than seeing it caged in a zoo. Likewise, hearing Dave Douglas' Brass Ecstasy live is superior to any studio recording. Not that the band's Spirit Moves (Greenleaf, 2009) was a subpar Douglas recording; ...

457

Article: Live Review

Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011

Read "Jeff Kaiser / Kronomorphic / Keneally-Minnemann-Beller: San Diego, March 11, 2011" reviewed by Robert Bush


Jeff Kaiser / Kronomorphic / Keneally/Minnemann/BellerPorter's Pub, UCSDSan Diego, CAMarch 11, 2011 The Friday, March 11 show at Porter's Pub, organized by UCSD promoter Brian Ross, was a wild, kaleidoscopic affair. Featuring two Southern California-based creative improvising exponents with a rock-fusion headliner represented a certain degree of risk: would the ...

545

Article: Extended Analysis

Weasel Walter / Mary Halvorson / Peter Evans: Electric Fruit

Read "Weasel Walter / Mary Halvorson / Peter Evans: Electric Fruit" reviewed by Clifford Allen


Weasel Walter / Mary Halvorson / Peter EvansElectric FruitThirsty Ear2011 Percussionist and improviser Weasel Walter often uses the term “face rip" to describe a particularly intense musical experience. In improvised music, you often don't get a “blood and guts" approach; free jazz, in many instances, has been ...


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