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Fresh Sound Records and the Legacy of Recorded Jazz
by Bruce Klauber
If the importance and the contributions of jazz are measured by its recorded legacy, then Fresh Sound Records--and its founder, Jordi Pujol--must be duly recognized for rescuing a legacy that might otherwise be lost or nearly impossible to find, and for making it available to the public. Specifically, this legacy includes recorded works by ...
Eddie Durham: Genius in the Shadows
by Jim Gerard
On December 13, 1932, in the eye of the Great Depression that was devastating the record industry, the Bennie Moten Orchestra shuffled “on their uppers" into a converted church in Camden, N.J., and silently launched the Swing Era, three years before clarinetist Benny Goodman's formal inauguration as the “King of Swing" at the Palomar Ballroom in ...
Paula West: Live at Jazz Standard
by Tom Pierce
Devotees of superior jazz vocalists have several reasons to rejoice about this fourth CD by the highly respected San Francisco-based Paula West. First and foremost, the recording is simply a true knockout; but the rejoicing is also because, despite rave audiences and reviews for over a decade, this is West's first release since the impressively executed ...
Bertil "Jonas" Jonasson: Jonas Plays Gullin
by Chris Mosey
Long after his death in 1976, Lars Gullin still casts a long shadow over the Scandinavian jazz scene. The baritone saxophonist was the first Swede to be accorded international recognition. He was one of Zoot Sims' Five Brothers in 1950, played with James Moody, Stan Getz, and Leonard Feather's Swinging Swedes. He won the 1954 Downbeat ...
Jan Lundgren / Bengt Hallberg: Back 2 Back
by Chris Mosey
An historic meeting of two giants of modern jazz in Sweden. Bengt Hallberg, born 1932, helped to found the idiom via his work with alto saxophonist Arne Domnérus in the 1950s and attracted international attention by recording with such US legends as Clifford Brown and Stan Getz. Leonard Feather praised his “unique light-fingered style."
Lorraine Feather: Tales of the Unusual
by C. Michael Bailey
Vocalist Lorraine Feather is first and foremost, a lyricist. The daughter of jazz writer, composer, and producer, Leonard Feather, she has released a mess of recordings, all of which feature finely crafted songs composed from the same brew that gave rise to Tippo, Mississippi's Mose Allison and St. Paul, Minnesota's Dave Frishberg. On ...
Michael Pedicin: Ballads...Searching For Peace
by Dan Bilawsky
Ballads are often consumed as one of many items on a musical tasting menu, but they can also serve as a satisfying meal on their own, when prepared by the right chef. On Ballads...Searching For Peace, tenor saxophonist Michael Pedicin serves up seven satisfying songs from the softer side of jazz, while also paying tribute to ...
Making Cents Of It All: Jazz Enters The Money Jungle
by Dan Bilawsky
Is money the root of all evil? I, of course, can't answer that, but anybody with access to a newspaper, television and/or the internet knows that it's at the heart of many debates these days. As I sit here writing this column on a cloudy day in early April, I can't help but think that the ...
Sheryl Bailey 4: For All Those Living
by Dan Bilawsky
While guitarist Sheryl Bailey's A New Promise was a tribute to another tremendously talented female guitarist--the late Emily Remler--For All Those Living touches on a wide variety of figures, both here and gone. Bailey's music pays direct tribute to fellow guitarists, like Jack Wilkins ("Wilkinsburg"), Masa Sasaki ("Masa's Bag") and the late Jimmy Wyble, but she ...
Festival International de Jazz de Montreal: July 2-5, 2010
by Peter Walton
Festival International de Jazz de MontréalMontréal, Quebec, CanadaJuly 2-5, 2010I arrived in Montréal mid-week, the Festival International de Jazz de Montréal already in high gear. Closing off six square blocks of downtown Montréal, an area commanding six major outdoor stages and several indoor theaters and concert halls, the Festival International de ...
