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Joe Manis: Killin'!
by George Colligan
[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth]Sometime last year, I got an email from a dude named Joe Manis, who said he was from Eugene and he wanted me to make a recording with him. He wanted me to play organ. I said to myself," Hmmm. Tenor player ...
Take Five With Thomas Winther Andersen
by AAJ Staff
Meet Thomas Winther Andersen:Originally from Norway, Thomas Winther Andersen now lives in Amsterdam. At 13, he began playing electric bass, and after a few years his love for jazz became so strong that he decided to switch instruments and learn to play upright bass. Thomas studied music at the Amsterdam Conservatory from 1988 to ...
Jutta Hipp: Lost Tapes: The German Recordings 1952-1955
by Dan McClenaghan
German-born pianist Jutta Hipp (1925-2003) was enticed to travel to New York in 1955 by jazz writer/historian Leonard Feather. She was signed by Alfred Lion to Blue Note Records where she very quickly--within an eight month period--recorded three albums for the label: At the Hickory House, Vol. 1 (1955); At the Hickory House, Vol. 2, and ...
Anthony Braxton: Eight (+1) Tristano Compositions 1989 For Warne Marsh
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by Troy Collins
Long valued as an elusive, out of print collector's item, the recently reissued Eight (+1) Tristano Compositions 1989 For Warne Marsh offers listeners another opportunity to reevaluate composer Anthony Braxton's vibrant reinterpretation of the groundbreaking pianist's work. Dedicated to the tenor saxophonist most commonly associated with pianist Lennie Tristano's oeuvre, this 1989 session originally included versions ...
Lee Konitz: Four Classic Albums
by David Rickert
Besides being one of the few altoists that emerged in the 1950s that doesn't sound like Charlie Parker, Lee Konitz was a true musical adventurer whose explorations in free jazz, electronic instruments, and just all around anything goes sessions resulted in some of the most exciting music that came out of the fifties and beyond. His ...
Chris Crocco: The Chris Crocco Fluid Trio +
by Dave Wayne
An up-and-coming jazz guitarist, whose unadorned, largely effects-free sound belies a truly modernist approach, Chris Crocco's Fluid Trio+ stands out a bit from the gaggle of current jazz guitar recordings by virtue of its sheer stylistic range, and by the virtuosity of the playing therein. Crocco, along with drummer Francisco Mela and bassist Peter Slavov, plays ...
Lee Konitz: What True Improvising Is
by Bob Kenselaar
Lee Konitz is legendary as one of the great individualists in jazz, an art form that has always placed an extraordinary high value on individualism and unique forms of expression. “I've pretty much dedicated myself to trying to figure out what true improvising is," he says, “as opposed to playing what you know and getting loose ...
JazzClip: Lennie Tristano (1965)
On the evening of October 31, 1965, pianist Lennie Tristano performed solo at the Tivoli Gardens Concert Hall in Copenhagen. The event was captured for Danish television using multiple camera angles. Several additional Tristano concert performances were recorded on the same tour of Scandinavia and Europe. And that was it. In 1968 Tristano performed publicly for ...
What Is Jazz Now?
by Dom Minasi
Back in February, All About Jazz Managing Editor John Kelman asked me to develop a column based on points I made in the comment section of the article BAM or JAZZ: Why It Matters. I still feel the same way, but trumpeter Nicholas Payton's statement that jazz died in 1959 made me think, and I've been ...
Lee Konitz and Martial Solal: Star Eyes 1983
by C. Michael Bailey
Lee Konitz and Martial SolalStar Eyes 1983Hatology2009 Even in his eighties, pianist Martial Solal has proven to be the Higgs' Boson of jazz. He readily demonstrates the substantial mass he brings to music most recently on his uniformly excellent Live at the Village Vanguard: I Can't Give You ...
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