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2

Article: Album Review

Eric Siereveld: Walk The Walk

Read "Walk The Walk" reviewed by Jack Bowers

by Jack Bowers

The “organic" in trumpeter Eric Siereveld's Organic Quintet doesn't mean the group has no artificial ingredients or synthetic preservatives; rather, it denotes the fact that the quintet's modus operandi rests in some measure on the well-defined tone colors produced by Steve Snyder's indispensable Hammon B3 organ. The word “indispensable" is used because it is Siereveld's purpose ...

8

Article: Album Review

Noah Preminger: Genuinity

Read "Genuinity" reviewed by Mark Corroto

by Mark Corroto

Quite often when an über-talented musician records a disc under his own name, he uses sidemen of lesser talent so as not to detract from his moment in the limelight, or because his ego won't allow him to play nice. That has never been the case with saxophonist Noah Preminger. On Genuinity, his tenth disc released ...

51

Article: Album Review

Steve Khan: Public Access / Headline / Crossings

Read "Public Access / Headline / Crossings" reviewed by John Kelman

by John Kelman

It's been a great couple of years for Steve Khan fans who are (relatively) new to the guitarist's work, especially his early releases, thanks to UK-based BGO Records. First, his '70s-era trio of fusion-centric LPs on Columbia Records, 1977's Tightrope, 1978's The Blue Man and 1979's Arrows, were remastered and reissued in a 2015 two-CD set, ...

3

Article: Bailey's Bundles

Six on Cellar Live

Read "Six on Cellar Live" reviewed by C. Michael Bailey

by C. Michael Bailey

Cory Weeds' record label Cellar Live has become a welcome home to straight-ahead mainstream jazz in the same way that Arbors Records has been the beacon for traditional jazz and swing. Think Norman Granz's Pablo label tele-transported deep into the 21st Century. Six recent releases illuminate Cellar Live's importance to jazz as a whole and to ...

5

Article: Multiple Reviews

A Selection of Jazz on Sonorama

Read "A Selection of Jazz on Sonorama" reviewed by Jakob Baekgaard

by Jakob Baekgaard

A good record is not just an album, it is a story, and few people understand this better than Ekkehart Fleischhammer, who runs Sonorama. The label specializes in reissues and discoveries of lost jazz classics, library music, funk and soul. Every release is a labor of love and the albums in the following batch all include ...

5

Article: Bailey's Bundles

Formats – Solo Through Nonet

Read "Formats – Solo Through Nonet" reviewed by C. Michael Bailey

by C. Michael Bailey

One plus Two, equals three, and so on. What arbitrary combo size constitutes a big band? None of these. Solo: Jamie Saft Solo a Genova RareNoise Records 2018 That musical provocateur Jamie Saft, he is a prankster. After making all kinds of noise with the likes of Metallic Taste ...

16

Article: Interview

Mark Morganelli: Adds Club Owner To His Resume

Read "Mark Morganelli: Adds Club Owner To His Resume" reviewed by R.J. DeLuke

by R.J. DeLuke

Mark Morganelli has long been known as a fine trumpet player and a promoter with years of experience in the New York City area dating back to a jazz loft 39 years ago, through booking at the Village Gate, Birdland, morphing into his nonprofit Jazz Forum Arts organization known for the summer concert series he has ...

6

Article: Album Review

Adam Shulman Sextet: Full Tilt

Read "Full Tilt" reviewed by Jack Bowers

by Jack Bowers

In music, as in life, not every new voice is worth hearing. Here's one that is. Full Tilt, the fifth CD by San Francisco-born and based pianist Adam Shulman's sextet, is a throwback to those halcyon days when bop was king and giants like Diz, Bird, Miles, Max Roach, Hank Mobley, Benny Golson, Horace Silver, Wardell ...

4

Article: Live Review

Mark Hagan's Jazz Salon At The Old 76 House

Read "Mark Hagan's Jazz Salon At The Old 76 House" reviewed by David A. Orthmann

by David A. Orthmann

Mark Hagan's Jazz Salon The Old 76 House Mark Hagan's Jazz Salon Tappan, NY January 24, 2018 A couple of minutes into “How Deep Is The Ocean," the first selection of an opening set, without uttering a word, the ad hoc group assembled by bassist Mark Hagan offered assurances that ...

4

Article: Album Review

Michael Dease: Reaching Out

Read "Reaching Out" reviewed by Mark Corroto

by Mark Corroto

Somebody has to be the keeper of the flame, right? In jazz, an art form that has only recently passed the century mark, that responsibility has seemed to diminish in importance. It's not that music schools aren't churning out graduates versed in the traditional repertory, and post-modern players aren't constantly pushing the envelope of possibilities. It's ...


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