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Jazz Musician of the Day: Lee Morgan
All About Jazz is celebrating Lee Morgan's birthday today! Morgan was a jazz prodigy, joining the Dizzy Gillespie big band at 18, remaining a member for two years. Beginning in 1956, he began recording as a leader, mainly for the Blue Note label, eventually he recorded twenty-five albums for the company. Morgan's principal influence as a ...
Impulse! Records: An Alternative Top 20 Zeitgeist Seizing Albums
by Chris May
There can be little argument that a jazz label ever captured a zeitgeist more completely than Impulse! did during its original 1960s incarnation. In the US, the fight back against white racism was cresting, opposition to the Vietnam war was growing, outrage over the assassinations of figures of hope such as President Kennedy, Martin Luther King ...
Sonny's Crib
by C. Michael Bailey
From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the ...
Roberto Magris: Suite!
by Jack Bowers
When appraising a new recording by Roberto Magris, Rule No. 1 is always to expect the unexpected. On eighteen previous albums, the Italian-born pianist has produced tributes to Lee Morgan, Elmo Hope and Cannonball Adderley, welcomed guest artists Herb Geller, Sam Reed and Ira Sullivan, and led groups ranging from trio to septet, all for Kansas ...
Piano
by C. Michael Bailey
Following his debut as a leader on, Wynton Kelly: New Faces -New Sounds (Blue Note, 1951), pianist Kelly surfaced again some seven years later, this time on Riverside Records, with the simply titled Piano. The length of time between leader recordings is a testament to the pianist's value in a supporting role for artists like Dinah ...
Hard Bop: An Alternative Top Ten
by Chris May
Hard bop was the jazz centre of the world from the mid 1950s to the mid 1960s, producing many hundreds of immortal albums. Trying to whittle these down to a definitive Top Ten is fun--but it is a subjective and ultimately impossible exercise. In an attempt to dodge those hurdles, the list which ...
Etuk Ubong: Purpose Of Creation / Etuk's Ritual
by Chris May
Lagos-based Etuk Ubong is part of a long line of fiery Afrobeat-rooted trumpeters which stretches back to Tunde Williams, a founder member of Fela Kuti's Africa 70 band in the 1960s. The lineage's foundational provenance is centred around players such as Lee Morgan and early period Freddie Hubbard. Ubong made his own-name debut in ...
Roberto Magris: Suite!
by Dan McClenaghan
Italian pianist Roberto Magris began his jazz career in the late 1970s, releasing a handful of excellent albums on Soul Note Records. He picked up steam in his collaboration with Kansas City's JMood Records in 2008 on Kansas City Outbound. As a pianist and a bandleader, Magris seems to have soaked up numerous influences--mid-sixties Blue Note ...
Art Blakey & The Jazz Messengers: Just Coolin'
by Mike Jurkovic
Great moments play all over Just Coolin', the new archival Blue Note Art Blakey release from 1959, recorded at Rudy Van Gelder's studio with Lee Morgan, Bobby Timmons and Jymie Merritt. For a bit of history, let's just point out that Hank Mobley was returning to the tenor chair he held from 1951-56, but which had ...
Connie Han: Iron Starlet
by Mike Jurkovic
A decisively brazen talent, pianist Connie Han rushes into the fire touched off by her 2018 Mack Avenue debut Crime Zone, bringing more accelerant to bear on Iron Starlet.With an exhilarating control of her skills and vision and an intimate clairvoyance into all that has come before her, Han bids trumpeter Jeremy Pelt the ...
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