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271

Article: Live Review

Lee Konitz: New York, NY June 5, 2011

Read "Lee Konitz: New York, NY June 5, 2011" reviewed by Warren Allen


Lee Konitz / Bill Frisell / Gary Peacock / Joey BaronThe Blue NoteNew York, NYJune 5, 2011 Descriptions of alto saxophonist Lee Konitz often place a little too much weight on his role as a musician of yesteryear. Certainly, Konitz's contributions as one of the first cool players in the bands ...

257

Article: Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by Dan McClenaghan


Konitz/Mehldau/Haden/MotianLive at BirdlandECM Records2011 The tunes are familiar, Great American Songbook and jazz standards all. So for those unfamiliar with the names involved in this quartet outing, the old complaint of “same old same old" could surface. But with alto saxophonist Lee Konitz at the top of ...

126

News: Interview

Lee Konitz at 83: Taking It Slow and Steady on "Live at Birdland"

Lee Konitz at 83: Taking It Slow and Steady on "Live at Birdland"

The latest entry in All About Jazz's Legends series is alto saxophonist Lee Konitz, who first arrived on the scene back in the late 1940s when he played in Claude Thornhill's orchestra. As a teen, he studied with the legendary Lennie Tristano, eventually playing and recording with the master. He was also a member of the ...

144

Article: Album Review

Lee Konitz / Dave Liebman / Richie Beirach: KnowingLee

Read "KnowingLee" reviewed by John Kelman


While there is some truth in the old adage “if it ain't broke don't fix it," it's not always bad to mess with a good thing. Saxophonist Dave Liebman and pianist Richie Beirach have been playing together for over 40 years, in ensembles ranging from the big band of Quest for Freedom (Sunnyside, 2010) and smaller ...

288

Article: Live Review

Jazzahead 2011: April 28 - May 1, 2011

Read "Jazzahead 2011: April 28 - May 1, 2011" reviewed by John Kelman


Jazzahead Bremen, Germany April 28-May 1, 2010 Jazz may be a marginalized genre with shrinking CD sales and, at least in North America, a painfully low profile in popular media, but just a few days at Jazzahead in Bremen, Germany, leave a much different impression. A trade show for all ...

126

Article: Album Review

Fred Hersch: Alone at the Vanguard

Read "Alone at the Vanguard" reviewed by Raul d'Gama Rose


The beauty of subtle emotion and the glacial calm of Fred Hersch's pianism are so arresting and so captivating that it virtually stops the breath. His mastery of the instrument, coupled with a deep and soulful connection with the joy of music gives Hersch the unique power to both entertain as well as heal the mind ...

194

Article: Extended Analysis

Konitz/Mehldau/Haden/Motian: Live at Birdland

Read "Konitz/Mehldau/Haden/Motian: Live at Birdland" reviewed by John Kelman


Grist for what seems like an endless flow of recordings, The Great American Songbook has, ultimately, become as much a crutch as it is an inspiration. There's no denying the staying power of music that's near-Jungian in its collective familiarity, but if an artist is simply running down the tunes, à la Real Book--head, solo, head--the ...

161

Article: Album Review

Ohad Talmor: Newsreel

Read "Newsreel" reviewed by Jerry D'Souza


Tenor saxophonist Ohad Talmor was born in Israel, grew up in Switzerland, and now lives in America. Talmor started out on piano before switching to the saxophone while in the US. Over the years, he has assembled an impressive list of band associations. In Switzerland he co-founded Zounds Collective with trumpeter Carlos Baumann to experiment with ...

171

News: Recording

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz/Mehldau/Haden/Motion "Live at Birdland"

Konitz, Mehldau, Haden and Motian Live At Birdland Lee Konitz: alto saxophone Brad Mehldau: piano Charlie Haden: double-bass Paul Motian: drums A quartet of master musicians and a programme of jazz classics. “Live At Birdland" presents the finest moments from two inspired nights at New York's legendary club, as Konitz, ...

628

Article: Interview

Bill Frisell: The ECM Years

Read "Bill Frisell: The ECM Years" reviewed by John Kelman


Nothing trumps right place, right time. Sure, most artists pay plenty of dues-- sometimes in the public eye, oftentimes not--but for some, there's that serendipitous event that leads to greater visibility. Bill Frisell, surely one of the most important and influential guitarists of his generation, undoubtedly deserves all the accolades and artistic freedom he's achieved in ...


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