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Lee Konitz – Piero Frassi Trio: Konitz Plays Konitz – Chapter 1
by AAJ Italy Staff
All'epoca di questa incisione (11 settembre 2008), Lee Konitz viaggiava spedito verso gli ottantuno (compiuti il successivo 13 ottobre), ma miracolosamente (e non per questo sorprendentemente: ci siamo felicemente abituati) ancora in possesso del suo inconfondibile suono, rilassato e tuttavia costantemente innervato da fremiti intestini, mai supino, con la bellissima cavata, chiara quanto in qualche modo ...
Fred Hersch: Alone At The Vanguard
by Dan Bilawsky
Creating an album title--Alone At The Vanguard--that reads as a double entendre and an oxymoron--whether intentional or not--is a great achievement, but not nearly as impressive as the music that pianist Fred Hersch presents on this live recording. While the Vanguard in the title is a direct reference to the hallowed basement club in New York ...
Either/Orchestra: New York City, February 11, 2011
by Daniel Lehner
Either/OrchestraLe Poisson Rouge New York, NYFebruary 11, 2011 If you graduated school to work for a law firm or a contracting company, your reunion would probably not be a raucous or joyous event. However, if you and your classmates went on to be the employees of Lee Konitz, Lester Bowie, ...
Fred Hersch: Alone at the Village Vanguard
by Dan McClenaghan
Pianist Fred Hersch almost cashed out back in 2008, when he fell ill with AIDs-related complications and spent seven weeks in a coma. The recovery was arduous, the resumption of his wide-ranging and top-level musical artistry uncertain--an uncertainty erased without a trace by Whirl (Palmetto Records, 2010), a trio set so assured, vibrant and beautiful that ...
Claire DeBrunner / Ken Silverman / Daniel Carter / Tom Zlabinger: Macroscopia
by John Sharpe
Multi-instrumentalist Daniel Carter may be the best known constituent part of NYC collective quartet Macroscopia, but based on its eponymous debut, he's not the only reason to listen. Although the bassoon hasn't figured largely in jazz history to date, an increasing number of able modern practitioners specializing in the large double reed woodwind seek to change ...
2011 Playboy Jazz Line-Up Announced
By Chuck Koton There are many reasons for Americans to express their collective gratitude to Hugh Hefner. He played a fundamental role in sophisticating society's senses in the1950s. And there are the women. There is the ground breaking path Hef carved in transcending the puritanical sexual mores of the Eisenhower era. And there are the women. ...
Grace Kelly / Phil Woods: Man With the Hat
by Larry Taylor
Jazz veteran Phil Woods carries the alto sax torch from Charlie Parker, following in the footsteps of Art Pepper, Cannonball Adderley and Lee Konitz. Now he bestows the honor on 18-year-old altoist/vocalist Grace Kelly, its light shining on Man With A Hat. Woods, 80, with over a half-century of playing, first met Kelly ...
Daniel Humair in the Lions' Dens
by Jeff Dayton-Johnson
Drummer Paul Motian is well-known for his “melodic" percussion, in which he skits and dodges arrhythmically, letting the guitars and saxophones mark the pulse of the composition. But for all the praise breathlessly--and deservedly--heaped upon Motian for this approach, the number of drummers who follow his example somewhere on this side of the free-jazz frontier, is ...
Dave Liebman: A New York Story
by John Kelman
A few months shy of 65, saxophonist Dave Liebman may be having the busiest time of his career, now in its fifth decade. In the past 12 months, nearly a dozen releases have demonstrated the tremendous stylistic breadth of a musical oeuvre that kicked into high gear early, when, in the short span of three years, ...
